{"id":6352,"date":"2021-11-25T14:37:43","date_gmt":"2021-11-25T14:37:43","guid":{"rendered":"http:\/\/canserrat.org\/?p=6352"},"modified":"2022-01-18T14:51:59","modified_gmt":"2022-01-18T14:51:59","slug":"natalie-pullen","status":"publish","type":"post","link":"https:\/\/canserrat.org\/es\/natalie-pullen","title":{"rendered":"Natalie Pullen"},"content":{"rendered":"<span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Natalie Pullen is a Dublin-based visual artist working through paint, writing and research. She completed her BA Fine Art Paint and Visual Culture at NCAD in 2017, and her MA in Art in the Contemporary World in 2019. Natalie is currently working towards a solo exhibition in the Alley Arts Centre, Co. Derry in November 2021, and a solo exhibition in Ballina Arts Centre in 2022. She is based in Abbey Artist Studios, which she voluntarily co-manages and runs public engagement. Natalie is a professional member of Visual Artists Ireland and her practice is funded by the Irish Arts Council, Dun Laoghaire-Rathdown Arts Council, and Fingal Arts Council.\\n\\nNatalie is preoccupied with the awkwardness, vulnerability and absurdity of making an abstract painting and asking someone to look at it. She refers to her current, ongoing project as \u2018Co-\u2019. Co- is a prefix, unfixed, waiting to be fixed to another term, and change its meaning through this latch or bond. Co- speaks to the collective and relational aspect of an encounter with an artwork in an art space. Through fully inhabiting her studio practice and negotiating with surface, mark-making and the application of paint, and through public display, social engagement and interdisciplinary collaboration, she attempt to stammer the language of painting so as to unseat the inherited set of expectations it carries and encourage the audience to look again.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-6353 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/Natalie-Pullen-Photo-Natalie-Pullen-300x261.jpeg\" alt=\"\" width=\"300\" height=\"261\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/Natalie-Pullen-Photo-Natalie-Pullen-300x261.jpeg 300w, https:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/Natalie-Pullen-Photo-Natalie-Pullen-1024x891.jpeg 1024w, https:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/Natalie-Pullen-Photo-Natalie-Pullen-918x800.jpeg 918w, https:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/Natalie-Pullen-Photo-Natalie-Pullen-459x400.jpeg 459w, https:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/Natalie-Pullen-Photo-Natalie-Pullen.jpeg 1105w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Natalie Pullen es una artista visual con sede en Dubl\u00edn que trabaja a trav\u00e9s de la pintura, la escritura y la investigaci\u00f3n. Complet\u00f3 su licenciatura en Pintura de Bellas Artes y Cultura Visual en la NCAD en 2017, y su m\u00e1ster en Arte en el Mundo Contempor\u00e1neo en 2019. Natalie est\u00e1 trabajando actualmente para una exposici\u00f3n individual en el <em>Alley Arts Centre, Co. Derry<\/em> para noviembre de 2021, y una exposici\u00f3n individual en <em>Ballina Arts Centre<\/em> en 2022. Tiene su sede en Abbey Artist Studios, que codirige voluntariamente y dirige el compromiso p\u00fablico. Natalie es miembro profesional de <em>Visual Artists Ireland<\/em> y su pr\u00e1ctica est\u00e1 financiada por el<em> Irish Arts Council<\/em>, el <em>Dun Laoghaire-Rathdown Arts Council<\/em> y el <em>Fingal Arts Council.<\/em><\/p>\n<p>A Natalie le preocupa la incomodidad, la vulnerabilidad y el absurdo de hacer un cuadro abstracto y pedirle a alguien que lo mire. Se refiere a su actual proyecto en curso como &#8220;Co-&#8220;. Co- es un prefijo, sin fijar, a la espera de ser fijado a otro t\u00e9rmino, y de cambiar su significado a trav\u00e9s de este enganche o v\u00ednculo. Co- habla del aspecto colectivo y relacional de un encuentro con una obra de arte en un espacio art\u00edstico. A trav\u00e9s de su pr\u00e1ctica en el estudio y la negociaci\u00f3n con la superficie, la creaci\u00f3n de marcas y la aplicaci\u00f3n de la pintura, y a trav\u00e9s de la exposici\u00f3n p\u00fablica, el compromiso social y la colaboraci\u00f3n interdisciplinar, intenta balbucear el lenguaje de la pintura para desbancar el conjunto de expectativas heredadas que conlleva y animar al p\u00fablico a volver a mirar.<\/p>\n<p>Natalie hace su residencia en Can Serrat durante octubre de 2021<\/p>\n<p>&nbsp;<\/p>\n<h4><span style=\"color: #33cccc;\">Sobre su proceso de trabajo en la residencia &gt;&gt;&gt;<\/span><\/h4>\n<iframe src=\"\/\/docs.google.com\/viewer?url=http%3A%2F%2Fcanserrat.org%2Fwp-content%2Fuploads%2F2021%2F11%2FPULLEN_NATALIE_CHECKPOINT_2021-Natalie-Pullen.pdf&hl=es&embedded=true\" class=\"gde-frame\" style=\"width:100%; height:500px; border: none;\" scrolling=\"no\"><\/iframe>\n<p class=\"gde-text\"><a href=\"http:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/PULLEN_NATALIE_CHECKPOINT_2021-Natalie-Pullen.pdf\" class=\"gde-link\">Descargar (PDF, 11.66MB)<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Natalie Pullen es una artista visual con sede en Dubl\u00edn que trabaja a trav\u00e9s de la pintura, la escritura y la investigaci\u00f3n. Complet\u00f3 su licenciatura en Pintura de Bellas Artes y Cultura Visual en la NCAD en 2017, y &hellip; <a href=\"https:\/\/canserrat.org\/es\/natalie-pullen\">Continuar<\/a><\/p>\n","protected":false},"author":4,"featured_media":6353,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,22,10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/6352"}],"collection":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/comments?post=6352"}],"version-history":[{"count":3,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/6352\/revisions"}],"predecessor-version":[{"id":6457,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/6352\/revisions\/6457"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media\/6353"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media?parent=6352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/categories?post=6352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/tags?post=6352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}