{"id":4416,"date":"2019-11-25T11:12:11","date_gmt":"2019-11-25T11:12:11","guid":{"rendered":"http:\/\/canserrat.org\/?p=4416"},"modified":"2020-01-31T13:59:52","modified_gmt":"2020-01-31T13:59:52","slug":"nermin-saybasili","status":"publish","type":"post","link":"https:\/\/canserrat.org\/es\/nermin-saybasili","title":{"rendered":"Nermin Saybasili"},"content":{"rendered":"<span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Nermin Sayba\u015f\u0131l\u0131 is Associate Professor in the Department of Art History at Mimar Sinan Fine Arts University. Sayba\u015f\u0131l\u0131 received her doctorate in visual culture from Goldsmiths College, University of London. From September 2015 to June 2016, she worked at the School of Arts, Columbia University as a Fulbright visiting scholar. Her research interests include contemporary art practices and critical theory with a particular emphasis on \u2018visibilities\u2019 and \u2018invisibilities\u2019 in the regime of vision; the use of sound and voice in installation work and video art; mobility and counter-geographies; urban space and migration in the networked culture. Her articles have been published internationally in journals and books, catalogues and magazines. Sayba\u015f\u0131l\u0131 is the author of two books in Turkish: Borders and Ghosts: Migratory Hauntings in Visual Culture (Metis, 2011) and Art on Site: Ethnographic Knowledge in Visual Culture Studies (Metis, 2017). &quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-4417 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/dfdffffffff-228x300.jpg\" alt=\"\" width=\"228\" height=\"300\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/dfdffffffff-228x300.jpg 228w, https:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/dfdffffffff.jpg 558w\" sizes=\"(max-width: 228px) 100vw, 228px\" \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Nermin Sayba\u015f\u0131l\u0131 es profesora asociada en el Departamento de Historia del Arte de la Universidad de Bellas Artes <em>Mimar Sinan<\/em>. Sayba\u015f\u0131l\u0131 recibi\u00f3 su doctorado en cultura visual del <em>Goldsmiths College<\/em>, Universidad de Londres. Desde septiembre de 2015 hasta junio de 2016, trabaj\u00f3 en la Escuela de Artes de la Universidad de Columbia como becaria visitante <em>Fulbright<\/em>. Sus intereses de investigaci\u00f3n incluyen pr\u00e1cticas de arte contempor\u00e1neo y teor\u00eda cr\u00edtica con un \u00e9nfasis particular en &#8220;visibilidades&#8221; e &#8220;invisibilidades&#8221; en el r\u00e9gimen de visi\u00f3n; el uso de sonido y voz en trabajos de instalaci\u00f3n y videoarte; movilidad y contrageograf\u00edas; espacio urbano y migraci\u00f3n en la cultura en red. Sus art\u00edculos han sido publicados internacionalmente en periodicos, libros, cat\u00e1logos y revistas. Sayba\u015f\u0131l\u0131 es la autora de dos libros en turco: <em>Borders and Ghosts: Migratory Hauntings in Visual Culture<\/em> (Metis, 2011) y<em> Art on Site: Ethnographic Knowledge in Visual Culture Studies<\/em> (Metis, 2017).<\/p>\n<p><strong><span style=\"color: #0000ff;\">\/\/<\/span><\/strong> <a href=\"https:\/\/mimarsinan.academia.edu\/NerminSaybasili\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/mimarsinan.academia.edu\/NerminSaybasili<\/a> <strong><span style=\"color: #0000ff;\">\/\/<\/span><\/strong><\/p>\n<p>Nermin ha echo su residencia en Can Serrat durante el mes de enero de 2020.","protected":false},"excerpt":{"rendered":"<p>&nbsp; Nermin Sayba\u015f\u0131l\u0131 es profesora asociada en el Departamento de Historia del Arte de la Universidad de Bellas Artes Mimar Sinan. Sayba\u015f\u0131l\u0131 recibi\u00f3 su doctorado en cultura visual del Goldsmiths College, Universidad de Londres. Desde septiembre de 2015 hasta junio &hellip; <a href=\"https:\/\/canserrat.org\/es\/nermin-saybasili\">Continuar<\/a><\/p>\n","protected":false},"author":4,"featured_media":4417,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/4416"}],"collection":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/comments?post=4416"}],"version-history":[{"count":4,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/4416\/revisions"}],"predecessor-version":[{"id":4432,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/4416\/revisions\/4432"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media\/4417"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media?parent=4416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/categories?post=4416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/tags?post=4416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}