{"id":437,"date":"2016-04-21T18:47:19","date_gmt":"2016-04-21T18:47:19","guid":{"rendered":"http:\/\/canserrat.org\/?p=437"},"modified":"2019-08-20T10:20:43","modified_gmt":"2019-08-20T10:20:43","slug":"ester-eva-damen","status":"publish","type":"post","link":"https:\/\/canserrat.org\/es\/ester-eva-damen","title":{"rendered":"Ester Eva Damen"},"content":{"rendered":"\"\"<\/p>\n

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Ester Eva Damen \u00e9s una artista visual, escriptora (de guions) i directora de cinema. Va estudiar art (pintura) a l’Acad\u00e8mia Rietveld a Amsterdam i treball com a directora i guionista al Dutch Film & TV Academy.<\/p>\n

Ella \u00e9s la directora art\u00edstica d’una petita fundaci\u00f3 anomenada la Jet\u00e9e, en refer\u00e8ncia a la pel\u00b7l\u00edcula experimental de Chris Marker.<\/p>\n

El 2010 despr\u00e9s d’un viatge al desert i una estada amb els bedu\u00efns va presentar la instal\u00b7laci\u00f3 “A fire called home”. Aquesta s’ha exposat en diversos llocs al voltant d’Holanda, incloent el Museu de Groningen, el Festival Internacional de Cinema de Rotterdam i el Festival d’Holanda. Tamb\u00e9 ha apar\u00e8ixer a la televisi\u00f3 holandesa.<\/p>\n

Ester ha col\u00b7laborat amb la compositora Christina Viola Oorebeek i el percussionista Arnold Marinissen en el curt Edges (2008). Tamb\u00e9 va fer una instal\u00b7laci\u00f3 de v\u00eddeo amb la core\u00f2grafa Marta Reig Torres, anomenada To Santiago (2009).<\/p>\n

Ester Eva Damen tamb\u00e9 \u00e9s una escriptora de cinema independent que fet un parell de curts metratges, en pel\u00b7l\u00edcula 16 mm b & n.<\/p>\n

Actualment est\u00e0 treballant en un projecte de v\u00eddeo amb tres poetes frisons. I en un projecte amb el ballar\u00ed Suzan Tunca.","protected":false},"excerpt":{"rendered":"

  Ester Eva Damen \u00e9s una artista visual, escriptora (de guions) i directora de cinema. Va estudiar art (pintura) a l’Acad\u00e8mia Rietveld a Amsterdam i treball com a directora i guionista al Dutch Film & TV Academy. Ella \u00e9s la … Continuar<\/a><\/p>\n","protected":false},"author":3,"featured_media":441,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/437"}],"collection":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/comments?post=437"}],"version-history":[{"count":3,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/437\/revisions"}],"predecessor-version":[{"id":3941,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/437\/revisions\/3941"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media\/441"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media?parent=437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/categories?post=437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/tags?post=437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}