{"id":4356,"date":"2019-11-15T12:47:29","date_gmt":"2019-11-15T12:47:29","guid":{"rendered":"http:\/\/canserrat.org\/?p=4356"},"modified":"2020-02-03T16:11:44","modified_gmt":"2020-02-03T16:11:44","slug":"kiah-endelman-music","status":"publish","type":"post","link":"https:\/\/canserrat.org\/es\/kiah-endelman-music","title":{"rendered":"Kiah Endelman Music"},"content":{"rendered":"<span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Kiah Endelman Music is an Artist\/ Writer based in Glasgow, who works within a performative practice of writing which attempts to find an elusive history of sensation in the spaces between; between art and writing, matter and thought, between bodies and the spaces they inhabit. It is a practice in seeing what might appear (possible) if this thing and that are brought beside into closer proximity, in (to) relation. It is a practice in querying how bodies are shaped, marked, touched, by gesture, action, and desire, where motifs of colour and fragrance, gesture and desire are recurrent, mimetic and essential and texts and works are understood as constant sites of rehearsal. She is currently completing a Master of Letters in Art Writing at the Glasgow School of Art, and is a graduate of Goldsmiths, University of London. She has undertaken a residency at the Artists Research Lab, Fondazione Antonio Ratti, and her writing has been featured in MARTHA journal and The Yellow Paper, exhibited at Rye Wax, CCA Glasgow and performed at The Poetry Club, The Glasgow Women\u2019s Library and The Deptford Project.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:4225,&quot;3&quot;:{&quot;1&quot;:0},&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;}\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-4357 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/Kiah-224x300.jpg\" alt=\"\" width=\"224\" height=\"300\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/Kiah-224x300.jpg 224w, https:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/Kiah.jpg 553w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Kiah Endelman Music es un artista\/escritora con sede en <em>Glasgow<\/em>, que trabaja dentro de una pr\u00e1ctica performativa de escritura que intenta encontrar una historia evasiva de sensaciones en los espacios intermedios; entre arte y escritura, materia y pensamiento, entre cuerpos y los espacios que habitan. Es interesante ver lo que podr\u00eda aparecer (posiblemente) si esto y aquello se acercan a una proximidad m\u00e1s cercana, en relaci\u00f3n (a). Es interesante indagar c\u00f3mo los cuerpos son formados, marcados, tocados, por gestos, acciones y deseos, donde los motivos de color y fragancia, gesto y deseo son recurrentes, mim\u00e9ticos y esenciales, y los textos y obras se entienden como sitios constantes de ensayo.<\/p>\n<p>Actualmente est\u00e1 completando un <em>Master of Letters in Art Writing<\/em> en la <em>Glasgow School of Art<\/em>, y se gradu\u00f3 de <em>Goldsmiths<\/em>, <em>University of London<\/em>. Ha realizado una residencia en el Laboratorio de Investigaci\u00f3n de Artistas,<em> Fondazione Antonio Ratti<\/em>, y sus escritos han sido presentados en el diario <em>MARTHA<\/em> y <em>The Yellow Paper<\/em>, a expuesto en <em>Rye Wax<\/em>, <em>CCA Glasgow<\/em> y presentado en <em>The Poetry Club<\/em>, <em>The Glasgow Women&#8217;s Library<\/em> y <em>The Deptford Proyecto<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p>Kiah ha echo su residencia en Can Serrat durante el mes de enero de 2020.","protected":false},"excerpt":{"rendered":"<p>&nbsp; Kiah Endelman Music es un artista\/escritora con sede en Glasgow, que trabaja dentro de una pr\u00e1ctica performativa de escritura que intenta encontrar una historia evasiva de sensaciones en los espacios intermedios; entre arte y escritura, materia y pensamiento, entre &hellip; <a href=\"https:\/\/canserrat.org\/es\/kiah-endelman-music\">Continuar<\/a><\/p>\n","protected":false},"author":4,"featured_media":4357,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/4356"}],"collection":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/comments?post=4356"}],"version-history":[{"count":1,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/4356\/revisions"}],"predecessor-version":[{"id":4358,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/4356\/revisions\/4358"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media\/4357"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media?parent=4356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/categories?post=4356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/tags?post=4356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}