{"id":3682,"date":"2019-06-11T19:55:37","date_gmt":"2019-06-11T19:55:37","guid":{"rendered":"http:\/\/canserrat.org\/?p=3682"},"modified":"2019-06-11T19:55:37","modified_gmt":"2019-06-11T19:55:37","slug":"contemporary-art-__-call-result-__-autumn-2019-2020","status":"publish","type":"post","link":"https:\/\/canserrat.org\/es\/contemporary-art-__-call-result-__-autumn-2019-2020","title":{"rendered":"(English) CONTEMPORARY ART __ CALL RESULT __ AUTUMN 2019\/2020"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-es\">Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en  <a href=\"https:\/\/canserrat.org\/en\/wp-json\/wp\/v2\/posts\/3682\" class=\"qtranxs-available-language-link qtranxs-available-language-link-en\" title=\"English\">Ingl\u00e9s Estadounidense<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p><p style=\"text-align: left;\">Within the framework of this jury, 80 applications were received from artists all over the world and a large number of them were of impressive quality.<\/p>\n<p><strong>The composition of the jury:<\/strong><\/p>\n<p>Guest juror &gt;<\/p>\n<ul>\n<li>Xavi Acarin &#8211; curator __<a href=\"http:\/\/xaviacarin.net\"> http:\/\/xaviacarin.net<\/a><\/li>\n<\/ul>\n<p>Regular jurors\u00a0&gt;<\/p>\n<ul>\n<li>Sophie Blais &amp;\u00a0Sarah Goodchild Robb _ \u00a0CAN SERRAT<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>FULL GRANT\u00a0_ October 2020 (1 month):<\/strong>\u00a0Isobel Atacus<\/p>\n<p><strong>PARTIAL GRANT\u00a0#1 _ Autumn* 2020 :\u00a0<\/strong>Ellen Petruzzella<\/p>\n<p><strong>PARTIAL GRANT #2 _ Autumn 2020 :<\/strong>Flavia Tritto<\/p>\n<p><strong>PARTIAL GRANT #3 _ Autumn 2020 :<\/strong> Giulia Frascino<\/p>\n<p><em>* \u00a0Between September and November 2020<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>SELF-FUNDED INVITATION, __RESIDENCY PROGRAM, AUTUMN 2019** :<\/strong><\/p>\n<p><em>** Between September and November 2019<\/em><\/p>\n<table dir=\"ltr\" style=\"height: 303px;\" border=\"1\" width=\"200\" cellspacing=\"0\" cellpadding=\"0\">\n<colgroup>\n<col width=\"100\" \/><\/colgroup>\n<tbody>\n<tr>\n<td data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Aubrey Levinthal&quot;}\">Aubrey Levinthal<\/td>\n<\/tr>\n<tr>\n<td data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Luis Sebastian Sanabria&quot;}\">Luis Sebastian Sanabria<\/td>\n<\/tr>\n<tr>\n<td data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Mariano Grebnicoff&quot;}\">Mariano Grebnicoff<\/td>\n<\/tr>\n<tr>\n<td data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Zhanna Gladko&quot;}\">Zhanna Gladko<\/td>\n<\/tr>\n<tr>\n<td data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;CM Carney&quot;}\">CM Carney<\/td>\n<\/tr>\n<tr>\n<td data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Ralitsa Doncheva&quot;}\">Ralitsa Doncheva<\/td>\n<\/tr>\n<tr>\n<td data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Chang-Jin Lee&quot;}\">Chang-Jin Lee<\/td>\n<\/tr>\n<tr>\n<td data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Mark Rumsey&quot;}\">Mark Rumsey<\/td>\n<\/tr>\n<tr>\n<td data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Tarek Rady&quot;}\">Tarek Rady<\/td>\n<\/tr>\n<tr>\n<td data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Katja M\u00e4\u00e4tt\u00e4&quot;}\">Katja M\u00e4\u00e4tt\u00e4<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;","protected":false},"excerpt":{"rendered":"<p>Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en Ingl\u00e9s Estadounidense. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.Within the framework of this jury, &hellip; <a href=\"https:\/\/canserrat.org\/es\/contemporary-art-__-call-result-__-autumn-2019-2020\">Continuar<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[37],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/3682"}],"collection":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/comments?post=3682"}],"version-history":[{"count":1,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/3682\/revisions"}],"predecessor-version":[{"id":3683,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/3682\/revisions\/3683"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media?parent=3682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/categories?post=3682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/tags?post=3682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}