{"id":9713,"date":"2026-06-04T11:32:10","date_gmt":"2026-06-04T11:32:10","guid":{"rendered":"http:\/\/canserrat.org\/?p=9713"},"modified":"2026-06-04T11:32:10","modified_gmt":"2026-06-04T11:32:10","slug":"melody-marshall-2","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/melody-marshall-2","title":{"rendered":"Melody Marshall"},"content":{"rendered":"<img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-9714 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/thumbnail_IMG_1566-Melody-Marshall-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/thumbnail_IMG_1566-Melody-Marshall-300x300.jpg 300w, https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/thumbnail_IMG_1566-Melody-Marshall-1024x1024.jpg 1024w, https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/thumbnail_IMG_1566-Melody-Marshall-150x150.jpg 150w, https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/thumbnail_IMG_1566-Melody-Marshall-1536x1536.jpg 1536w, https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/thumbnail_IMG_1566-Melody-Marshall-730x730.jpg 730w, https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/thumbnail_IMG_1566-Melody-Marshall-365x365.jpg 365w, https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/thumbnail_IMG_1566-Melody-Marshall-540x540.jpg 540w, https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/thumbnail_IMG_1566-Melody-Marshall-270x270.jpg 270w, https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/thumbnail_IMG_1566-Melody-Marshall.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><span style=\"font-weight: 400\">El camp de recerca actual de Melody investiga la supressi\u00f3 de les emocions doloroses i on s&#8217;emmagatzemen al cos quan no es processen o alliberen a trav\u00e9s de pr\u00e0ctiques terap\u00e8utiques. Normalitzar l&#8217;exist\u00e8ncia d&#8217;aquestes emocions dif\u00edcils establint paral\u00b7lelismes amb el m\u00f3n natural permet que es vegin pel que s\u00f3n: naturals, org\u00e0niques i universals.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">L&#8217;antologia que est\u00e0 desenvolupant seguir\u00e0 una seq\u00fc\u00e8ncia i estructura discernibles, tot i que les hist\u00f2ries en si mateixes seran epis\u00f2diques. Cadascuna es pot llegir com una narrativa independent, que encapsula l&#8217;ess\u00e8ncia d&#8217;una emoci\u00f3 espec\u00edfica que pret\u00e9n recrear i explorar.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Com a escriptora, Marshall passa molt de temps a la natura, cultivant la quietud en entorns meditatius propicis per a la creativitat. Crea temps per a la investigaci\u00f3 i la reflexi\u00f3 profunda abans de permetre que el proc\u00e9s creatiu prengui forma. Aquest proc\u00e9s \u00e9s particularment rellevant per a la naturalesa d&#8217;aquest projecte espec\u00edfic, que inclou descripcions d&#8217;objectes naturals com arbres, argila, llavors, floridura, seda, herba, llum de la lluna, algues i blat.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">\u00c9s una escriptora observacional que combina una prosa clara i directa amb moments de realisme m\u00e0gic. Estil\u00edsticament, la seva escriptura gravita cap a una expressi\u00f3 que reflecteix el registre i la cad\u00e8ncia de la seva llengua materna, el farsi, pel que fa al lirisme, per\u00f2 tamb\u00e9 al subtext, les descripcions v\u00edvides i el simbolisme.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Melody ser\u00e0 resident al maig i al juny del 2026.<\/span><\/p>\n<p>&nbsp;","protected":false},"excerpt":{"rendered":"<p>El camp de recerca actual de Melody investiga la supressi\u00f3 de les emocions doloroses i on s&#8217;emmagatzemen al cos quan no es processen o alliberen a trav\u00e9s de pr\u00e0ctiques terap\u00e8utiques. Normalitzar l&#8217;exist\u00e8ncia d&#8217;aquestes emocions dif\u00edcils establint paral\u00b7lelismes amb el m\u00f3n &hellip; <a href=\"https:\/\/canserrat.org\/ca\/melody-marshall-2\">Continued<\/a><\/p>\n","protected":false},"author":8,"featured_media":9714,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,4],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9713"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=9713"}],"version-history":[{"count":1,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9713\/revisions"}],"predecessor-version":[{"id":9715,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9713\/revisions\/9715"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/9714"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=9713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=9713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=9713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}