{"id":9703,"date":"2026-06-04T11:21:35","date_gmt":"2026-06-04T11:21:35","guid":{"rendered":"http:\/\/canserrat.org\/?p=9703"},"modified":"2026-06-04T11:21:35","modified_gmt":"2026-06-04T11:21:35","slug":"nelly-sol-castro","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/nelly-sol-castro","title":{"rendered":"Nelly Sol Castro"},"content":{"rendered":"<img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-9704 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/3742FFFB-D4C0-43A7-8A31-6BC675976907-Nelly-Sol-Castro-192x300.jpeg\" alt=\"\" width=\"192\" height=\"300\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/3742FFFB-D4C0-43A7-8A31-6BC675976907-Nelly-Sol-Castro-192x300.jpeg 192w, https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/3742FFFB-D4C0-43A7-8A31-6BC675976907-Nelly-Sol-Castro-656x1024.jpeg 656w, https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/3742FFFB-D4C0-43A7-8A31-6BC675976907-Nelly-Sol-Castro-983x1536.jpeg 983w, https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/3742FFFB-D4C0-43A7-8A31-6BC675976907-Nelly-Sol-Castro-1311x2048.jpeg 1311w, https:\/\/canserrat.org\/wp-content\/uploads\/2026\/06\/3742FFFB-D4C0-43A7-8A31-6BC675976907-Nelly-Sol-Castro-scaled.jpeg 1639w\" sizes=\"(max-width: 192px) 100vw, 192px\" \/><\/p>\n<p><span style=\"font-weight: 400\">La seva pr\u00e0ctica art\u00edstica se situa a la cru\u00eflla entre art, mat\u00e8ria i mem\u00f2ria. A trav\u00e9s de la pintura, la cer\u00e0mica i l&#8217;assemblatge, construeix objectes i escenes que operen com a vestigis simb\u00f2lics, explorant la capacitat dels materials per allotjar emocions, creences i empremtes del que \u00e9s invisible.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">El seu treball indaga la tensi\u00f3 entre all\u00f2 sagrat i all\u00f2 quotidi\u00e0 mitjan\u00e7ant elements vinculats a all\u00f2 ritual \u2014contenidors, cossos h\u00edbrids, amulets i vitrines\u2014 entesos com a dispositius de sentit. Cada obra sorgeix de la necessitat d&#8217;encarnar l&#8217;experi\u00e8ncia interna: all\u00f2 que es va perdre, all\u00f2 que persisteix i all\u00f2 que es transforma. Des d&#8217;all\u00e0, interroga la noci\u00f3 de pertinen\u00e7a i proposa una lectura expandida del llinatge, l&#8217;espiritualitat i el cos com a territoris de negociaci\u00f3 simb\u00f2lica. El seu llenguatge visual dialoga amb la hist\u00f2ria i, alhora, afirma la possibilitat de reescriure-la.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">\u00c9s Llicenciada en Arts Visuals amb orientaci\u00f3 en Arts del Foc per la Universitat Nacional de les Arts (UNA). La formaci\u00f3 inclou estudis en teatre, fotografia amb orientaci\u00f3 cinematogr\u00e0fica, cer\u00e0mica, vitrofusi\u00f3, escultura i disseny t\u00e8xtil, aix\u00ed com cl\u00edniques i laboratoris enfocats en processos contemporanis i sostenibles.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Ha participat en exhibicions col\u00b7lectives com El lloc que ocupen les coses (Centre Cultural Impar, 2024), Artista per Artista (Leonardo Collective, Casa Chaca, 2025) i Blau M\u00edstic (Mada Galer\u00eda, 2025).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Des del 2020 funda i coordina The Art Factory, taller de cer\u00e0mica on s&#8217;exerceix com a docent i gestora cultural. El 2024 crea The Art Factory Studio, espai de recerca i formaci\u00f3 avan\u00e7ada. El 2025 funda Satja, col\u00b7lectiu transdisciplinari d&#8217;artistes.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Nelly estar\u00e0 en resid\u00e8ncia el maig del 2026.<\/span><\/p>\n<p>&nbsp;","protected":false},"excerpt":{"rendered":"<p>La seva pr\u00e0ctica art\u00edstica se situa a la cru\u00eflla entre art, mat\u00e8ria i mem\u00f2ria. A trav\u00e9s de la pintura, la cer\u00e0mica i l&#8217;assemblatge, construeix objectes i escenes que operen com a vestigis simb\u00f2lics, explorant la capacitat dels materials per allotjar &hellip; <a href=\"https:\/\/canserrat.org\/ca\/nelly-sol-castro\">Continued<\/a><\/p>\n","protected":false},"author":8,"featured_media":9704,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9703"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=9703"}],"version-history":[{"count":1,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9703\/revisions"}],"predecessor-version":[{"id":9705,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9703\/revisions\/9705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/9704"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=9703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=9703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=9703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}