{"id":9165,"date":"2025-10-08T09:17:14","date_gmt":"2025-10-08T09:17:14","guid":{"rendered":"https:\/\/canserrat.org\/?p=9165"},"modified":"2025-11-28T10:02:28","modified_gmt":"2025-11-28T10:02:28","slug":"nicole-opara","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/nicole-opara","title":{"rendered":"Nicole Opara"},"content":{"rendered":"<img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-9166 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/IMG_9159-Nicole-Opara-169x300.jpg\" alt=\"\" width=\"169\" height=\"300\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/IMG_9159-Nicole-Opara-169x300.jpg 169w, https:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/IMG_9159-Nicole-Opara-576x1024.jpg 576w, https:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/IMG_9159-Nicole-Opara-864x1536.jpg 864w, https:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/IMG_9159-Nicole-Opara-1152x2048.jpg 1152w, https:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/IMG_9159-Nicole-Opara-450x800.jpg 450w, https:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/IMG_9159-Nicole-Opara-225x400.jpg 225w, https:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/IMG_9159-Nicole-Opara.jpg 1242w\" sizes=\"(max-width: 169px) 100vw, 169px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Nicole Opara \u00e9s una escriptora brit\u00e0nico-nigeriana de ficci\u00f3 liter\u00e0ria que camina per la fina l\u00ednia entre la tendresa i la devastaci\u00f3. Amb un m\u00e0ster en Salut P\u00fablica per la Universitat de Warwick i una mirada editorial afinada a trav\u00e9s de la seva experi\u00e8ncia en comunicaci\u00f3 per a ONG, aporta una claredat colpidora a temes com l\u2019amor, el trauma i l\u2019her\u00e8ncia emocional.<\/p>\n<p>Ha escrit tres novel\u00b7les en menys d\u2019un any \u2014Darkly, Through the Glass, Daisy Chain i A Far Cry from a Lullaby\u2014, cadascuna explorant fam\u00edlies fracturades, desitjos prohibits i l\u2019eco de les ferides generacionals. La seva obra dissecciona els silencis en qu\u00e8 viuen les dones i les ru\u00efnes que carreguen, sovint narrades a trav\u00e9s de l\u00ednies temporals fragmentades, dobles punts de vista i una prosa l\u00edrica.<\/p>\n<p>Actualment treballa en la seva quarta novel\u00b7la, LIMBS, un thriller psicol\u00f2gic literari que interroga la moralitat i els diners a trav\u00e9s de la lenta i silenciosa destrucci\u00f3 d\u2019una fam\u00edlia obligada a trair-se des de dins. Inspirada en Charlie i la f\u00e0brica de xocolata i travessada per temes d\u2019avar\u00edcia, culpa i superviv\u00e8ncia, LIMBS \u00e9s el seu projecte m\u00e9s ambici\u00f3s fins ara. Escriu en angl\u00e8s, incorporant sovint altres lleng\u00fces per aportar textura i mat\u00eds, sempre guiada pel ritme, la veu i el dolor de la veritat.<\/p>\n<p>Nicole Opara estar\u00e0 en resid\u00e8ncia a Can Serrat al octubre de 2025.","protected":false},"excerpt":{"rendered":"<p>&nbsp; Nicole Opara \u00e9s una escriptora brit\u00e0nico-nigeriana de ficci\u00f3 liter\u00e0ria que camina per la fina l\u00ednia entre la tendresa i la devastaci\u00f3. Amb un m\u00e0ster en Salut P\u00fablica per la Universitat de Warwick i una mirada editorial afinada a trav\u00e9s &hellip; <a href=\"https:\/\/canserrat.org\/ca\/nicole-opara\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":9166,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9165"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=9165"}],"version-history":[{"count":1,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9165\/revisions"}],"predecessor-version":[{"id":9167,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9165\/revisions\/9167"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/9166"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=9165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=9165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=9165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}