{"id":8519,"date":"2025-02-17T10:23:08","date_gmt":"2025-02-17T10:23:08","guid":{"rendered":"https:\/\/canserrat.org\/?p=8519"},"modified":"2025-03-25T11:00:51","modified_gmt":"2025-03-25T11:00:51","slug":"vivian-abenchuchan-cano","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/vivian-abenchuchan-cano","title":{"rendered":"Vivian Abenchuchan Cano"},"content":{"rendered":"<p data-start=\"0\" data-end=\"397\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-8520 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2025\/02\/2.1_Abenshushan-Vivian_Mordzinzki-m-Vivian-A-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2025\/02\/2.1_Abenshushan-Vivian_Mordzinzki-m-Vivian-A-200x300.jpg 200w, https:\/\/canserrat.org\/wp-content\/uploads\/2025\/02\/2.1_Abenshushan-Vivian_Mordzinzki-m-Vivian-A-682x1024.jpg 682w, https:\/\/canserrat.org\/wp-content\/uploads\/2025\/02\/2.1_Abenshushan-Vivian_Mordzinzki-m-Vivian-A-1024x1536.jpg 1024w, https:\/\/canserrat.org\/wp-content\/uploads\/2025\/02\/2.1_Abenshushan-Vivian_Mordzinzki-m-Vivian-A-1365x2048.jpg 1365w, https:\/\/canserrat.org\/wp-content\/uploads\/2025\/02\/2.1_Abenshushan-Vivian_Mordzinzki-m-Vivian-A-scaled-534x800.jpg 534w, https:\/\/canserrat.org\/wp-content\/uploads\/2025\/02\/2.1_Abenshushan-Vivian_Mordzinzki-m-Vivian-A-scaled-267x400.jpg 267w, https:\/\/canserrat.org\/wp-content\/uploads\/2025\/02\/2.1_Abenshushan-Vivian_Mordzinzki-m-Vivian-A-scaled.jpg 1706w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/p>\n<p data-start=\"0\" data-end=\"397\">VIVIAN ABENSHUSHAN \u00e9s escriptora interdisciplin\u00e0ria. La seva pr\u00e0ctica, tant individual com col\u00b7lectiva, explora estrat\u00e8gies micropol\u00edtiques que confronten els processos del capitalisme contemporani i les seves estructures de producci\u00f3 cultural, aix\u00ed com les relacions entre art i pedagogia, processos col\u00b7laboratius, xarxes feministes i pr\u00e0ctiques experimentals en l\u2019escriptura.<\/p>\n<p data-start=\"399\" data-end=\"855\">Qu\u00e8 passa amb els cossos quan s&#8217;ajunten per escriure plegats? Qu\u00e8 significa escriure amb altres, al costat d&#8217;altres, enmig d&#8217;una multitud? Quina relaci\u00f3 es construeix entre un procediment d&#8217;escriptura col\u00b7laborativa i una contrapedagogia pol\u00edtica? Es pot considerar l&#8217;escriptura col\u00b7lectiva com un art d&#8217;organitzar la vida en com\u00fa? Aquestes s\u00f3n algunes de les preguntes que han sostingut, des de fa vint anys, la seva investigaci\u00f3 art\u00edstica i pedag\u00f2gica.<\/p>\n<p data-start=\"857\" data-end=\"1497\">Ha publicat els llibres <em data-start=\"881\" data-end=\"906\">El clan de los insomnes<\/em> (Premi Gilberto Owen 2002), <em data-start=\"935\" data-end=\"963\">Una habitaci\u00f3n desordenada<\/em> i <em data-start=\"966\" data-end=\"993\">Escritos para desocupados<\/em>, publicat per l&#8217;editorial Surplus sota una llic\u00e8ncia copyleft, entre d&#8217;altres. El seu llibre m\u00e9s recent, <em data-start=\"1099\" data-end=\"1122\">Permanente Obra Negra<\/em> (Sexto Piso, 2019), \u00e9s un projecte d&#8217;escriptura conceptual basat en la c\u00f2pia, la reescriptura i el muntatge de cites, que circula com a llibre, fitxer i suajat, a m\u00e9s de comptar amb una interf\u00edcie a internet: <a href=\"http:\/\/permanenteobranegra.cc\" target=\"_new\" rel=\"noopener\" data-start=\"1332\" data-end=\"1387\">permanenteobranegra.cc<\/a>. \u00c9s cofundadora de la cooperativa Tumbona Ediciones i directora de BLA: Espacio de Experimentaci\u00f3n Escrita.<\/p>\n<p data-start=\"1499\" data-end=\"1603\">El 2024, va publicar <em data-start=\"1520\" data-end=\"1548\">Exiliados del tiempo lento<\/em> a No Libros, una editorial independent de Barcelona.<\/p>\n<p data-start=\"1605\" data-end=\"1682\">Vivian far\u00e0 la seva resid\u00e8ncia a Can Serrat durant gener i febrer del 2025.<\/p>","protected":false},"excerpt":{"rendered":"<p>VIVIAN ABENSHUSHAN \u00e9s escriptora interdisciplin\u00e0ria. La seva pr\u00e0ctica, tant individual com col\u00b7lectiva, explora estrat\u00e8gies micropol\u00edtiques que confronten els processos del capitalisme contemporani i les seves estructures de producci\u00f3 cultural, aix\u00ed com les relacions entre art i pedagogia, processos col\u00b7laboratius, xarxes &hellip; <a href=\"https:\/\/canserrat.org\/ca\/vivian-abenchuchan-cano\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":8520,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[22,10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/8519"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=8519"}],"version-history":[{"count":1,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/8519\/revisions"}],"predecessor-version":[{"id":8521,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/8519\/revisions\/8521"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/8520"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=8519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=8519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=8519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}