{"id":8319,"date":"2024-08-08T10:19:33","date_gmt":"2024-08-08T10:19:33","guid":{"rendered":"https:\/\/canserrat.org\/?p=8319"},"modified":"2024-10-07T09:13:09","modified_gmt":"2024-10-07T09:13:09","slug":"ecem-arslanay","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/ecem-arslanay","title":{"rendered":"Ecem Arslanay"},"content":{"rendered":"<img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-8320 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2024\/08\/Ecem_Arslanay-Ecem-Arslanay-241x300.jpeg\" alt=\"\" width=\"241\" height=\"300\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2024\/08\/Ecem_Arslanay-Ecem-Arslanay-241x300.jpeg 241w, https:\/\/canserrat.org\/wp-content\/uploads\/2024\/08\/Ecem_Arslanay-Ecem-Arslanay-823x1024.jpeg 823w, https:\/\/canserrat.org\/wp-content\/uploads\/2024\/08\/Ecem_Arslanay-Ecem-Arslanay-1235x1536.jpeg 1235w, https:\/\/canserrat.org\/wp-content\/uploads\/2024\/08\/Ecem_Arslanay-Ecem-Arslanay.jpeg 1242w\" sizes=\"(max-width: 241px) 100vw, 241px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Com a editora, escriptora, professora, arquitecta i cineasta amb base a Istanbul, ha dirigit el seu enfocament arquitect\u00f2nic cap al disseny esc\u00e8nic. Va ensenyar a la Facultat d&#8217;Arquitectura de la Universitat Bilgi d&#8217;Istanbul (2017-2019) i actualment ensenya a la Facultat d&#8217;Arquitectura de la Universitat Bah\u00e7e\u015fehir (2021-present). Com a candidata a doctorat en arquitectura, la seva investigaci\u00f3 se centra en les qualitats espacials de l&#8217;experi\u00e8ncia del museu digital. Ha estat dissenyadora de producci\u00f3 de la pel\u00b7l\u00edcula de llargmetratge <em>The Connected<\/em> (2018-en curs), recolzada per la Sharjah Art Foundation i Salt. A m\u00e9s, va escriure, codirigir i coproduir el curtmetratge <em>The Clocks<\/em> (2021). Aquest \u00faltim va ser finalista en nombrosos festivals internacionals, va guanyar diversos premis i va participar en diverses exposicions i biennals.<\/p>\n<p>Membre de l&#8217;AICA, ha escrit diversos textos sobre art, disseny, arquitectura, dansa, teatre i cinema per a publicacions com cat\u00e0legs d&#8217;exposicions i contribucions a llibres. Les seves contribucions internacionals inclouen treballs a <em>Drawing Matter<\/em>, <em>SEQUITUR<\/em> (Universitat de Boston) i Mousse Publishing. Actualment, est\u00e0 treballant en un llibre que compila els seus textos seleccionats en turc.<\/p>\n<p>El seu assaig coescrit, &#8220;Letter of Authorization to Discuss Late Ottoman Archive Drawings as Operational Images,&#8221; va ser publicat com a finalista a <em>Drawing Matter<\/em>, reconegut per la Fundaci\u00f3 d&#8217;Arquitectura en la categoria &#8220;Arquitectura i Representaci\u00f3&#8221;. A m\u00e9s, va rebre una beca de CultureCIVIC, un programa cultural i art\u00edstic recolzat per la Uni\u00f3 Europea, pel seu projecte &#8220;Writing as Queering&#8221;. Com a editora de publicacions al Museu Sak\u0131p Sabanc\u0131, ha treballat en exposicions d&#8217;artistes notables com &#8220;David Hockney: The Arrival of Spring, Normandy, 2020&#8221;, &#8220;Agnes Denes: The Living Pyramid&#8221; i &#8220;Hussein Chalayan: Souffleur&#8221;.<\/p>\n<p>L&#8217;Ecem far\u00e0 la seva resid\u00e8ncia a Can Serrat a l&#8217;agost de 2024.","protected":false},"excerpt":{"rendered":"<p>&nbsp; Com a editora, escriptora, professora, arquitecta i cineasta amb base a Istanbul, ha dirigit el seu enfocament arquitect\u00f2nic cap al disseny esc\u00e8nic. Va ensenyar a la Facultat d&#8217;Arquitectura de la Universitat Bilgi d&#8217;Istanbul (2017-2019) i actualment ensenya a la &hellip; <a href=\"https:\/\/canserrat.org\/ca\/ecem-arslanay\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":8320,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[22,10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/8319"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=8319"}],"version-history":[{"count":1,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/8319\/revisions"}],"predecessor-version":[{"id":8321,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/8319\/revisions\/8321"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/8320"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=8319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=8319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=8319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}