{"id":8244,"date":"2024-05-27T11:57:02","date_gmt":"2024-05-27T11:57:02","guid":{"rendered":"https:\/\/canserrat.org\/?p=8244"},"modified":"2024-07-02T09:04:20","modified_gmt":"2024-07-02T09:04:20","slug":"nicole-lian-aponte","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/nicole-lian-aponte","title":{"rendered":"Nicole Lian Aponte"},"content":{"rendered":"\"\"<\/p>\n

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Nicole Lian Aponte (n. 1988) \u00e9s una artista portorriquenya captivada per l’\u00e0mbit de la pintura. La seva pr\u00e0ctica se centra en el concepte de lloc<\/em>, amb Pennsylvania, Nova Jersey, Maryland, Texas, Puerto Rico, Calif\u00f2rnia, una llista en expansi\u00f3 de llocs on ha viscut, cadascun inf\u00f3s pel paisatge, les persones i les experi\u00e8ncies que ha compartit. A trav\u00e9s de les seves pintures, transcendeix la mera representaci\u00f3, capturant l’ess\u00e8ncia d’experi\u00e8ncies viscudes i moments fuga\u00e7os, convidant els espectadors a explorar les seves pr\u00f2pies connexions amb el lloc.<\/p>\n

Nicole Lian Aponte va rebre la seva Llicenciatura en Arts de la Universitat de Calif\u00f2rnia Los Angeles (2010) i un M\u00e0ster en Belles Arts del California College of Arts (2016). Algunes de les seves exposicions inclouen Embark Gallery, San Francisco (2015, 2016), Minnesota Street Projects, San Francisco (2016), Sherle Wagner International, Dallas (2016) i The Pearl, San Francisco (2018), entre altres. Aponte tamb\u00e9 \u00e9s una de les destinat\u00e0ries de la beca Dennis Leon i Christin Nelson (2016) i el premi Clyde & Co. Community Art (2015, 2016).<\/p>\n

Nicole far\u00e0 la seva resid\u00e8ncia a Can Serrat durant juny de 2024.","protected":false},"excerpt":{"rendered":"

  Nicole Lian Aponte (n. 1988) \u00e9s una artista portorriquenya captivada per l’\u00e0mbit de la pintura. La seva pr\u00e0ctica se centra en el concepte de lloc, amb Pennsylvania, Nova Jersey, Maryland, Texas, Puerto Rico, Calif\u00f2rnia, una llista en expansi\u00f3 de … Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":8245,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[22,10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/8244"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=8244"}],"version-history":[{"count":1,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/8244\/revisions"}],"predecessor-version":[{"id":8246,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/8244\/revisions\/8246"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/8245"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=8244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=8244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=8244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}