{"id":7641,"date":"2023-05-26T08:55:30","date_gmt":"2023-05-26T08:55:30","guid":{"rendered":"http:\/\/canserrat.org\/?p=7641"},"modified":"2023-08-02T11:17:39","modified_gmt":"2023-08-02T11:17:39","slug":"harper-glantz","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/harper-glantz","title":{"rendered":"Harper Glantz"},"content":{"rendered":"<img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-7642 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2023\/05\/P1080105-harper-glantz-300x200.jpeg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2023\/05\/P1080105-harper-glantz-300x200.jpeg 300w, https:\/\/canserrat.org\/wp-content\/uploads\/2023\/05\/P1080105-harper-glantz-1024x683.jpeg 1024w, https:\/\/canserrat.org\/wp-content\/uploads\/2023\/05\/P1080105-harper-glantz-1536x1024.jpeg 1536w, https:\/\/canserrat.org\/wp-content\/uploads\/2023\/05\/P1080105-harper-glantz-2048x1365.jpeg 2048w, https:\/\/canserrat.org\/wp-content\/uploads\/2023\/05\/P1080105-harper-glantz-scaled-1200x800.jpeg 1200w, https:\/\/canserrat.org\/wp-content\/uploads\/2023\/05\/P1080105-harper-glantz-scaled-600x400.jpeg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Harper\u00a0Glantz\u00a0treballa amb imatges fixes, sovint superposant-les en composicions de v\u00eddeo i assajos fotogr\u00e0fics. Treballa amb m\u00fasica per a contar les seves hist\u00f2ries visuals i ha col\u00b7laborat amb artistes sonors com James Murphy, de\u00a0LCD\u00a0Sound\u00a0System, i el seu germ\u00e0 Jack\u00a0Glantz, m\u00fasic i compositor de jazz. Ha presentat la seva obra &#8220;Making\u00a0Eveningside&#8221;\u00a0en forma d&#8217;instal\u00b7laci\u00f3 en el museu de fotografia\u00a0Gallerie\u00a0D&#8217;It\u00e0lia\u00a0Torino. Es tracta d&#8217;un documental immersiu en diverses pantalles sobre el proc\u00e9s de producci\u00f3 del fot\u00f2graf\u00a0Gregory\u00a0Crewdson, amb una partitura original de Stuart\u00a0Bogie. Es va estrenar durant tres mesos a It\u00e0lia en 2022 i podr\u00e0 veure&#8217;s pr\u00f2ximament en Els\u00a0Rencontres\u00a0d&#8217;Arles\u00a0en 2023. Va cr\u00e9ixer en la petita ciutat de\u00a0Pittsfield, Massachusetts, amb els seus tres germans petits, que s\u00f3n el centre del seu m\u00f3n. No va anar a escola despr\u00e9s dels 16 anys, sin\u00f3 que es va dedicar a la il\u00b7luminaci\u00f3 de pel\u00b7l\u00edcules. El temps que va passar vivint en diverses ciutats americanes ha influ\u00eft en la seva percepci\u00f3 de les societats i les seves normes, i sovint pot ser un rerefons en el seu treball. Ha estat aprenent de nombrosos artistes visuals del seu camp, com\u00a0Gregory\u00a0Crewdson, James\u00a0Casebere\u00a0i Isabel\u00a0Magowen.<\/p>\n<p>&nbsp;<\/p>\n<p>Harper realitza la seva resid\u00e8ncia a Can Serrat durant el mes de juny de 2023.","protected":false},"excerpt":{"rendered":"<p>&nbsp; Harper\u00a0Glantz\u00a0treballa amb imatges fixes, sovint superposant-les en composicions de v\u00eddeo i assajos fotogr\u00e0fics. Treballa amb m\u00fasica per a contar les seves hist\u00f2ries visuals i ha col\u00b7laborat amb artistes sonors com James Murphy, de\u00a0LCD\u00a0Sound\u00a0System, i el seu germ\u00e0 Jack\u00a0Glantz, m\u00fasic &hellip; <a href=\"https:\/\/canserrat.org\/ca\/harper-glantz\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":7642,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[22,10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/7641"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=7641"}],"version-history":[{"count":2,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/7641\/revisions"}],"predecessor-version":[{"id":7692,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/7641\/revisions\/7692"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/7642"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=7641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=7641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=7641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}