{"id":7128,"date":"2022-09-05T14:03:02","date_gmt":"2022-09-05T14:03:02","guid":{"rendered":"http:\/\/canserrat.org\/?p=7128"},"modified":"2022-09-28T12:23:08","modified_gmt":"2022-09-28T12:23:08","slug":"ingrid-kristensen","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/ingrid-kristensen","title":{"rendered":"Ingrid Kristensen"},"content":{"rendered":"<img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-7129 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2022\/09\/IMG_20210303_122450-Ingrid-Kristensen-Bjornaali-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2022\/09\/IMG_20210303_122450-Ingrid-Kristensen-Bjornaali-225x300.jpg 225w, https:\/\/canserrat.org\/wp-content\/uploads\/2022\/09\/IMG_20210303_122450-Ingrid-Kristensen-Bjornaali-768x1024.jpg 768w, https:\/\/canserrat.org\/wp-content\/uploads\/2022\/09\/IMG_20210303_122450-Ingrid-Kristensen-Bjornaali-1152x1536.jpg 1152w, https:\/\/canserrat.org\/wp-content\/uploads\/2022\/09\/IMG_20210303_122450-Ingrid-Kristensen-Bjornaali-1536x2048.jpg 1536w, https:\/\/canserrat.org\/wp-content\/uploads\/2022\/09\/IMG_20210303_122450-Ingrid-Kristensen-Bjornaali-scaled.jpg 1920w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Ingrid Kristensen Bj\u00f8rnaali (b. 1991, Norway). \\nI am a video artist who recently graduated with an MFA from the Oslo National Academy of the Arts, with parts of my studies spent in Helsinki at the Taideyliopiston Kuvataideakatemia\u2019s \u201cTime and Space Arts\u201d. In my practice, I capture specific biotopes via photogrammetry and other camera based technologies, and proceed to work with these bits and pieces of nature based on their virtual outcomes. In the process of recording and editing, I embrace the faulty details of the technology in use, so that I act on the technology\u2019s conditions rather than fixing the appearing glitches. The resulting video works, sculptures, texts or installations therefore bear marks of going through a process oscillating between control and chance, in search of some meeting ground between natures\u2019 and humans technology. My works explores the omnipresence of the digital in our experience of the world as well as the inability of technology to adequately comprehend the natural. Along with recording and editing, important parts of my practice also lies in performative collaborations, research and writing.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:12476,&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;15&quot;:&quot;Times New Roman&quot;,&quot;16&quot;:11}\">Ingrid Kristensen Bj\u00f8rnaali (n. 1991, Noruega).<\/span><\/p>\n<p>\u00c9s una videoartista recentment graduada a l&#8217;Acad\u00e8mia Nacional de les Arts d&#8217;Oslo, part dels seus estudis els va realitzar a H\u00e8lsinki, a l&#8217;escola de &#8220;Time and Space Arts&#8221; de Taideyliopiston Kuvataideakatemia. En la seva pr\u00e0ctica, capta bi\u00f2tops espec\u00edfics mitjan\u00e7ant la fotogrametria i altres tecnologies basades en la camara i procedeix a treballar amb aquests trossos de naturalesa basant-se en els seus resultats virtuals. En el proc\u00e9s d&#8217;enregistrament i edici\u00f3, accepta els detalls defectuosos de la tecnologia que utilitza, per la qual cosa actua sobre les condicions de la tecnologia en lloc d&#8217;arreglar els errors que apareixen. Per tant, les obres de v\u00eddeo, escultures, textos o instal\u00b7lacions resultants porten la marca d&#8217;haver passat per un proc\u00e9s que oscil\u00b7la entre el control i l&#8217;atzar, a la recerca d&#8217;algun punt de trobada entre la naturalesa i la tecnologia humana. Les obres d&#8217;Ingrid exploren l&#8217;omnipres\u00e8ncia del digital en la nostra experi\u00e8ncia del m\u00f3n, aix\u00ed com la incapacitat de la tecnologia per a comprendre adequadament el natural. A m\u00e9s de l&#8217;enregistrament i l&#8217;edici\u00f3, una part important del seu treball consisteix en la col\u00b7laboraci\u00f3 performativa, la recerca i l&#8217;escriptura.<\/p>\n<p>Ingrid estar\u00e0 en resid\u00e8ncia a Can Serrat durant el mes de setembre de 2022","protected":false},"excerpt":{"rendered":"<p>&nbsp; Ingrid Kristensen Bj\u00f8rnaali (n. 1991, Noruega). \u00c9s una videoartista recentment graduada a l&#8217;Acad\u00e8mia Nacional de les Arts d&#8217;Oslo, part dels seus estudis els va realitzar a H\u00e8lsinki, a l&#8217;escola de &#8220;Time and Space Arts&#8221; de Taideyliopiston Kuvataideakatemia. En la &hellip; <a href=\"https:\/\/canserrat.org\/ca\/ingrid-kristensen\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":7129,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[22,10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/7128"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=7128"}],"version-history":[{"count":1,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/7128\/revisions"}],"predecessor-version":[{"id":7130,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/7128\/revisions\/7130"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/7129"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=7128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=7128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=7128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}