{"id":6868,"date":"2022-04-13T14:49:55","date_gmt":"2022-04-13T14:49:55","guid":{"rendered":"http:\/\/canserrat.org\/?p=6868"},"modified":"2022-06-09T11:30:49","modified_gmt":"2022-06-09T11:30:49","slug":"vaughan-pilikian","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/vaughan-pilikian","title":{"rendered":"Vaughan Pilikian"},"content":{"rendered":"\"\"<\/p>\n

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Vaughan Pilikian va n\u00e9ixer a Londres el 1974, de mare estatunidenca i pare armeni. Despr\u00e9s de cursar estudis de lleng\u00fces cl\u00e0ssiques, belles arts i cinematografia en les universitats d’Oxford, Cambridge i Harvard, ha fet treballs en molts camps diferents com a acad\u00e8mic, poeta, cineasta, pintor, escultor, dissenyador, director de teatre, artista de performance i guionista. Fins avui, la seva carrera li ha portat a perseguir barrils en flames en un poble de Devon, a filmar la vida dels trencavaixells en el nord de l’\u00cdndia (per la qual cosa va ser nominat al Premi Grierson), a traduir l’epopeia s\u00e0nscrita del Mahabharata i a ser expulsat de Resonance FM per una s\u00e0tira premonit\u00f2ria sobre Donald Trump. El 2012, la seva obra Leper Colony es va representar durant tres setmanes en el Yard Theatre de Londres, enmig de la pol\u00e8mica i l’aclamaci\u00f3. El 2016, va ser el primer i, va resultar ser, l’\u00faltim artista resident del British Council a Transcarpatia, Ucra\u00efna. ‘Flight’, el seu llargmetratge documental de 2019 sobre la crisi dels refugiats, acaba de ser nominat a un premi de cinema independent brit\u00e0nic.<\/p>\n

Vaughan Pilikian fa la seva resid\u00e8ncia a Can Serrat durant els mesos de Maig i Juny de 2022.<\/p>\n

 ","protected":false},"excerpt":{"rendered":"

  Vaughan Pilikian va n\u00e9ixer a Londres el 1974, de mare estatunidenca i pare armeni. Despr\u00e9s de cursar estudis de lleng\u00fces cl\u00e0ssiques, belles arts i cinematografia en les universitats d’Oxford, Cambridge i Harvard, ha fet treballs en molts camps diferents … Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":6869,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[22,10,30,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/6868"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=6868"}],"version-history":[{"count":3,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/6868\/revisions"}],"predecessor-version":[{"id":6873,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/6868\/revisions\/6873"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/6869"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=6868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=6868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=6868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}