{"id":6370,"date":"2021-11-25T16:02:20","date_gmt":"2021-11-25T16:02:20","guid":{"rendered":"http:\/\/canserrat.org\/?p=6370"},"modified":"2022-01-18T12:39:39","modified_gmt":"2022-01-18T12:39:39","slug":"ricardo-sarmiento","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/ricardo-sarmiento","title":{"rendered":"Ricardo Sarmiento"},"content":{"rendered":"\"\"<\/p>\n

 <\/p>\n

Ricardo Sarmiento Ram\u00edrez. 1994. Cuba.<\/span><\/p>\n

Els seus textos travessen la construcci\u00f3 de la identitat, l’emigraci\u00f3, i l’activisme. El seu treball audiovisual ha estat exposat en diferents festivals d’art contemporani al voltant del m\u00f3n com el Miami New Media Festival (els EUA), el VII Festival de Videoarte de Buenos Aires (l’Argentina), Mostra Iberoamericana de Curtmetratges de Frankfurt (Alemanya) i l’exposici\u00f3 Am\u00e9rica Late: 25 anys en perspectiva (Casa d’Am\u00e8rica, Madrid).
\nMembre del F\u00f2rum Internacional en el marc del Theatertreffen 2018 (Berl\u00edn) i la resid\u00e8ncia \u201cwatch&talk\u201d (Z\u00fcrcher Theater Spektakel 2019). Artista convidat a les biennals PerfoArtNet (Bogot\u00e0) i \u201cNunca fuimos Nada\u201d (M\u00e8xic) 2019. Becari de Panorama Sud 2017, seminari intensiu per a dramaturgs a Buenos Aires. Els seus projectes m\u00e9s recents s\u00f3n Acuario, Diarios del miedo i la col\u00b7laboraci\u00f3 amb Stefan Kaegi (Rimini Protokoll) per a Granma. Trombones de La Habana.<\/span><\/p>\n

Ricardo fa la seva resid\u00e8ncia a Can Serrat durant octubre de 2021","protected":false},"excerpt":{"rendered":"

  Ricardo Sarmiento Ram\u00edrez. 1994. Cuba. Els seus textos travessen la construcci\u00f3 de la identitat, l’emigraci\u00f3, i l’activisme. El seu treball audiovisual ha estat exposat en diferents festivals d’art contemporani al voltant del m\u00f3n com el Miami New Media Festival … Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":6371,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,22,10,30,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/6370"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=6370"}],"version-history":[{"count":2,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/6370\/revisions"}],"predecessor-version":[{"id":6453,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/6370\/revisions\/6453"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/6371"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=6370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=6370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=6370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}