{"id":6352,"date":"2021-11-25T14:37:43","date_gmt":"2021-11-25T14:37:43","guid":{"rendered":"http:\/\/canserrat.org\/?p=6352"},"modified":"2022-01-18T14:51:59","modified_gmt":"2022-01-18T14:51:59","slug":"natalie-pullen","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/natalie-pullen","title":{"rendered":"Natalie Pullen"},"content":{"rendered":"<span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Natalie Pullen is a Dublin-based visual artist working through paint, writing and research. She completed her BA Fine Art Paint and Visual Culture at NCAD in 2017, and her MA in Art in the Contemporary World in 2019. Natalie is currently working towards a solo exhibition in the Alley Arts Centre, Co. Derry in November 2021, and a solo exhibition in Ballina Arts Centre in 2022. She is based in Abbey Artist Studios, which she voluntarily co-manages and runs public engagement. Natalie is a professional member of Visual Artists Ireland and her practice is funded by the Irish Arts Council, Dun Laoghaire-Rathdown Arts Council, and Fingal Arts Council.\\n\\nNatalie is preoccupied with the awkwardness, vulnerability and absurdity of making an abstract painting and asking someone to look at it. She refers to her current, ongoing project as \u2018Co-\u2019. Co- is a prefix, unfixed, waiting to be fixed to another term, and change its meaning through this latch or bond. Co- speaks to the collective and relational aspect of an encounter with an artwork in an art space. Through fully inhabiting her studio practice and negotiating with surface, mark-making and the application of paint, and through public display, social engagement and interdisciplinary collaboration, she attempt to stammer the language of painting so as to unseat the inherited set of expectations it carries and encourage the audience to look again.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-6353 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/Natalie-Pullen-Photo-Natalie-Pullen-300x261.jpeg\" alt=\"\" width=\"300\" height=\"261\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/Natalie-Pullen-Photo-Natalie-Pullen-300x261.jpeg 300w, https:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/Natalie-Pullen-Photo-Natalie-Pullen-1024x891.jpeg 1024w, https:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/Natalie-Pullen-Photo-Natalie-Pullen-918x800.jpeg 918w, https:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/Natalie-Pullen-Photo-Natalie-Pullen-459x400.jpeg 459w, https:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/Natalie-Pullen-Photo-Natalie-Pullen.jpeg 1105w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<p>Natalie\u00a0Pullen\u00a0\u00e9s una artista visual amb seu a Dubl\u00edn que treballa a trav\u00e9s de la pintura, l&#8217;escriptura i la recerca. Va completar la seva llicenciatura en Pintura de Belles arts i Cultura Visual en la\u00a0NCAD\u00a0en 2017, i el seu m\u00e0ster en Art en el M\u00f3n Contemporani en 2019. Natalie est\u00e0 treballant actualment per a una exposici\u00f3 individual en el\u00a0<em>Alley\u00a0Arts\u00a0Centri,\u00a0Co.\u00a0Derry\u00a0<\/em>per a novembre de 2021, i una exposici\u00f3 individual en\u00a0<em>Ballina\u00a0Arts\u00a0Centri<\/em> en 2022. T\u00e9 la seva seu al <em>Abbey\u00a0Artist\u00a0Studios<\/em>, que codirigeix volunt\u00e0riament i dirigeix el comprom\u00eds p\u00fablic. Natalie \u00e9s membre professional de <em>Visual\u00a0Artists\u00a0Ireland<\/em>\u00a0i la seva pr\u00e0ctica \u00e9s finan\u00e7ada pel\u00a0<em>Irish\u00a0Arts\u00a0Council<\/em>, el\u00a0<em>Dun\u00a0Laoghaire-*Rathdown\u00a0Arts\u00a0Council<\/em>\u00a0i el\u00a0<em>Fingal\u00a0Arts\u00a0Council<\/em>.<\/p>\n<p>A Natalie li preocupa la incomoditat, la vulnerabilitat i l&#8217;absurd de fer un quadre abstracte i demanar-li a alg\u00fa que el miri. Es refereix al seu actual projecte en curs com &#8220;Co-&#8220;. Co- \u00e9s un prefix, sense fixar, a l&#8217;espera de ser fixat a un altre terme, i de canviar el seu significat a trav\u00e9s d&#8217;aquest enganxament o vincle. Co- parla de l&#8217;aspecte col\u00b7lectiu i relacional d&#8217;una trobada amb una obra d&#8217;art en un espai art\u00edstic. A trav\u00e9s de la seva pr\u00e0ctica en l&#8217;estudi i la negociaci\u00f3 amb la superf\u00edcie, la creaci\u00f3 de marques i l&#8217;aplicaci\u00f3 de la pintura, i a trav\u00e9s de l&#8217;exposici\u00f3 p\u00fablica, el comprom\u00eds social i la col\u00b7laboraci\u00f3 interdisciplin\u00e0ria, intenta balbotejar el llenguatge de la pintura per a desbancar el conjunt d&#8217;expectatives heretades que comporta i animar al p\u00fablic a tornar a mirar.<\/p>\n<p>Natalie fa la seva resid\u00e8ncia a Can Serrat durant l&#8217;octubre de 2021<\/p>\n<p>&nbsp;<\/p>\n<h4><span style=\"color: #33cccc;\">Sobre el seu proc\u00e9s de treball a la resid\u00e8ncia &gt;&gt;&gt;<\/span><\/h4>\n<iframe src=\"\/\/docs.google.com\/viewer?url=http%3A%2F%2Fcanserrat.org%2Fwp-content%2Fuploads%2F2021%2F11%2FPULLEN_NATALIE_CHECKPOINT_2021-Natalie-Pullen.pdf&hl=es&embedded=true\" class=\"gde-frame\" style=\"width:100%; height:500px; border: none;\" scrolling=\"no\"><\/iframe>\n<p class=\"gde-text\"><a href=\"http:\/\/canserrat.org\/wp-content\/uploads\/2021\/11\/PULLEN_NATALIE_CHECKPOINT_2021-Natalie-Pullen.pdf\" class=\"gde-link\">Descargar (PDF, 11.66MB)<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Natalie\u00a0Pullen\u00a0\u00e9s una artista visual amb seu a Dubl\u00edn que treballa a trav\u00e9s de la pintura, l&#8217;escriptura i la recerca. Va completar la seva llicenciatura en Pintura de Belles arts i Cultura Visual en la\u00a0NCAD\u00a0en 2017, i el seu m\u00e0ster en &hellip; <a href=\"https:\/\/canserrat.org\/ca\/natalie-pullen\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":6353,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,22,10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/6352"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=6352"}],"version-history":[{"count":3,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/6352\/revisions"}],"predecessor-version":[{"id":6457,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/6352\/revisions\/6457"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/6353"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=6352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=6352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=6352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}