{"id":5860,"date":"2021-05-10T10:25:15","date_gmt":"2021-05-10T10:25:15","guid":{"rendered":"http:\/\/canserrat.org\/?p=5860"},"modified":"2021-06-17T09:55:39","modified_gmt":"2021-06-17T09:55:39","slug":"espanol-resultado-convocatoria-otono-2021-arte-contemporaneo","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/espanol-resultado-convocatoria-otono-2021-arte-contemporaneo","title":{"rendered":"RESULTAT CONVOCATORIA &#8211; Tardor 2021 &#8211; Artistes Visuals"},"content":{"rendered":"<div class=\"tlid-input input\">\n<div class=\"source-wrap\">\n<div class=\"input-full-height-wrapper tlid-input-full-height-wrapper\">\n<div class=\"source-input\">\n<div class=\"source-footer-wrap source-or-target-footer\">\n<div class=\"character-count tlid-character-count\">En el marc d&#8217;aquest jurat, es van rebre moltes sol\u00b7licituds d&#8217;artistes visuals de tot el m\u00f3n i un gran nombre d&#8217;elles van ser d&#8217;una qualitat impressionant. El jurat va passar diverses hores debatent i va seleccionar 10 propostes per integrar el programa de resid\u00e8ncia (1 beca completa, 3 beques 1 #, 4 beques 2 # i 2 beques 3 #). Vista la situaci\u00f3 sanit\u00e0ria i el seu conseq\u00fc\u00e8ncies socials i econ\u00f2miques, Can Serrat es veu en l&#8217;obligaci\u00f3 de modificar els seus calendari de convocat\u00f2ries per 2021 i el nombre habituals de beques parcials previstes segons cada modalitat. L&#8217;equip de la resid\u00e8ncia est\u00e0 en discussi\u00f3 i pendent de l&#8217;evoluci\u00f3 de la situaci\u00f3 sanit\u00e0ria per acabar de definir el calendari de convocat\u00f2ries i beques completes i parcials, previstes per 2022.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div><\/div>\n<div>\n<p>&nbsp;<\/p>\n<p><strong>Jurat:<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Laura Bel _ gestora cultural, i coordinadora del colectiu obertencanal (Esparreguera)<\/span><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/obertencanal\/\" target=\"_blank\" rel=\"noopener noreferrer\">Obertencanal<\/a>_Asociaci\u00f3 de creadors y creadores del Montserrat\u00ed<\/p>\n<p><span style=\"font-weight: 400;\">Sophie Blais y Sarah Goodchild Robb _ CAN SERRAT<\/span><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div>\n<p>BECA COMPLETA &#8212;<\/p>\n<p style=\"padding-left: 160px;\"><strong><span style=\"color: #00ff00;\">Mikio Saito<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>BECA PARCIAL #1 &#8212;<\/p>\n<p style=\"text-align: left; padding-left: 160px;\"><strong><span style=\"color: #00ff00;\">Dayana Trigo Ramos<br \/>\nAna Mar\u00eda Poveda P\u00e9rez<br \/>\nGian Cruzikio Saito<\/span><\/strong><\/p>\n<\/div>\n<p>BECA PARCIAL #2 &#8212;<\/p>\n<p style=\"padding-left: 160px;\"><strong><span style=\"color: #00ff00;\">Genevieve Sachs<br \/>\nNatalie Pullen<br \/>\nArmando Ducellari<br \/>\nFernando Garrido (exchange with Obertencanal)<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>BECA PARCIAL #3 &#8212;<\/p>\n<p style=\"padding-left: 160px;\"><strong><span style=\"color: #00ff00;\">Mariel Uncal <\/span><\/strong><br \/>\n<strong><span style=\"color: #00ff00;\">Paz Alberta Prieto Hornedo<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>* Sabem que \u00e9s molt dif\u00edcil generar espais de cura dins d&#8217;una convocat\u00f2ria, per\u00f2 volem agrair de tot cor, a totes les persones que ens han fet arribar les seves propostes. Ha estat un plaer llegir-les, endinsar-se en les seves pr\u00e0ctiques i entrar en contacte amb elles.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;","protected":false},"excerpt":{"rendered":"<p>En el marc d&#8217;aquest jurat, es van rebre moltes sol\u00b7licituds d&#8217;artistes visuals de tot el m\u00f3n i un gran nombre d&#8217;elles van ser d&#8217;una qualitat impressionant. El jurat va passar diverses hores debatent i va seleccionar 10 propostes per integrar &hellip; <a href=\"https:\/\/canserrat.org\/ca\/espanol-resultado-convocatoria-otono-2021-arte-contemporaneo\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":5736,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[37],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/5860"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=5860"}],"version-history":[{"count":8,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/5860\/revisions"}],"predecessor-version":[{"id":5868,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/5860\/revisions\/5868"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/5736"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=5860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=5860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=5860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}