{"id":4416,"date":"2019-11-25T11:12:11","date_gmt":"2019-11-25T11:12:11","guid":{"rendered":"http:\/\/canserrat.org\/?p=4416"},"modified":"2020-01-31T13:59:52","modified_gmt":"2020-01-31T13:59:52","slug":"nermin-saybasili","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/nermin-saybasili","title":{"rendered":"Nermin Saybasili"},"content":{"rendered":"<span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Nermin Sayba\u015f\u0131l\u0131 is Associate Professor in the Department of Art History at Mimar Sinan Fine Arts University. Sayba\u015f\u0131l\u0131 received her doctorate in visual culture from Goldsmiths College, University of London. From September 2015 to June 2016, she worked at the School of Arts, Columbia University as a Fulbright visiting scholar. Her research interests include contemporary art practices and critical theory with a particular emphasis on \u2018visibilities\u2019 and \u2018invisibilities\u2019 in the regime of vision; the use of sound and voice in installation work and video art; mobility and counter-geographies; urban space and migration in the networked culture. Her articles have been published internationally in journals and books, catalogues and magazines. Sayba\u015f\u0131l\u0131 is the author of two books in Turkish: Borders and Ghosts: Migratory Hauntings in Visual Culture (Metis, 2011) and Art on Site: Ethnographic Knowledge in Visual Culture Studies (Metis, 2017). &quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-4417 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/dfdffffffff-228x300.jpg\" alt=\"\" width=\"228\" height=\"300\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/dfdffffffff-228x300.jpg 228w, https:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/dfdffffffff.jpg 558w\" sizes=\"(max-width: 228px) 100vw, 228px\" \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Nermin Sayba\u015f\u0131l\u0131 \u00e9s professora associada al Departament d&#8217;Hist\u00f2ria de l&#8217;Art de la Universitat de Belles Arts <em>Mimar Sinan<\/em>. Sayba\u015f\u0131l\u0131 va rebre el seu doctorat en cultura visual de <em>Goldsmiths College<\/em>, Universitat de Londres. Des de Setembre de 2015 fins a Juny de 2016, va treballar a l&#8217;Escola d&#8217;Arts de la Universitat de Columbia com a bec\u00e0ria visitant <em>Fulbright<\/em>. Els seus interessos de recerca inclouen pr\u00e0ctiques d&#8217;art contemporani i teoria cr\u00edtica amb un \u00e8mfasi particular en &#8220;visibilitats&#8221; i &#8220;invisibilitats&#8221; al r\u00e8gim de visi\u00f3; l&#8217;\u00fas de so i veu en treballs d&#8217;instal\u00b7laci\u00f3 i videoart; mobilitat i contrageografies; espai urb\u00e0 i migraci\u00f3 a la cultura en xarxa. Els seus articles han estat publicats internacionalment a diaris, llibres, cat\u00e0legs i revistes. Sayba\u015f\u0131l\u0131 \u00e9s l&#8217;autora de dos llibres en turc: <em>Borders and Ghosts: Migratory Hauntings in Visual Culture<\/em> (Metis, 2011) i <em>Art on Site: Ethnographic Knowledge in Visual Culture Studies<\/em> (Metis, 2017).<\/p>\n<p><strong><span style=\"color: #0000ff;\">\/\/<\/span><\/strong> <a href=\"https:\/\/mimarsinan.academia.edu\/NerminSaybasili\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/mimarsinan.academia.edu\/NerminSaybasili<\/a> <strong><span style=\"color: #0000ff;\">\/\/<\/span><\/strong><\/p>\n<p>La Nermin ha fet la seva resid\u00e8ncia a Can Serrat durant el mes de Gener de 2020.","protected":false},"excerpt":{"rendered":"<p>&nbsp; Nermin Sayba\u015f\u0131l\u0131 \u00e9s professora associada al Departament d&#8217;Hist\u00f2ria de l&#8217;Art de la Universitat de Belles Arts Mimar Sinan. Sayba\u015f\u0131l\u0131 va rebre el seu doctorat en cultura visual de Goldsmiths College, Universitat de Londres. Des de Setembre de 2015 fins &hellip; <a href=\"https:\/\/canserrat.org\/ca\/nermin-saybasili\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":4417,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/4416"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=4416"}],"version-history":[{"count":4,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/4416\/revisions"}],"predecessor-version":[{"id":4432,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/4416\/revisions\/4432"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/4417"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=4416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=4416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=4416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}