{"id":4360,"date":"2019-11-15T13:00:14","date_gmt":"2019-11-15T13:00:14","guid":{"rendered":"http:\/\/canserrat.org\/?p=4360"},"modified":"2020-03-03T16:13:27","modified_gmt":"2020-03-03T16:13:27","slug":"teresa-satta","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/teresa-satta","title":{"rendered":"Teresa Satta"},"content":{"rendered":"<span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Teresa Satta was born in 1993 in Varese, Italy.\\nShe lives and works between Greece and Italy.\\nCurrently working as intern at State of Concept, Athens, curated by iLiana Fokianaki ( https:\/\/stateofconcept.org).\\nTeresa works as a transversal artist, involving a wide range of media in her artistic practice. Her work wonder into the relations between the body and the enviroment, in subtle political, nevertheless tender, way.\\n\\nStarting from classical studies in Italy she moved toward the visual art, by working on the side to pay her own studies and research.\\nShe earned a Bachelor of Fine Arts degree at Academy of Fine Arts of Brera in Milan, IT and a Master of Visual Arts degree at IUAV University in Venice, IT. \\nShe studied abroad trough exchanges in Dresden, DE and in Bogot\u00e0, CO.\\nTeresa had a multidisciplinary education and range of experience, from being a waitress, walker, traveller, high fashion showroom, art gallery assistaint, photographer, filmaker, writer, babysitter, cinema hostess, and nevertheless an artist.\\n\\nShe is currently partecipating for the second year at the young contemporary art festival TRAFFIC, Festival delle anime gentili, in the centre of Italy (http:\/\/www.trafficfestival.it\/). \\nShe will be artist in residence at B.R.A.C.T, in Arona (NO) in October 2019 - (https:\/\/www.bract.it\/), and at La Wayaka Current - Desert 23\u00b0S and Tropic 08\u00b0N in March and April 2020 (https:\/\/www.lawayakacurrent.com\/). &quot;}\" data-sheets-userformat=\"{&quot;2&quot;:4737,&quot;3&quot;:{&quot;1&quot;:0},&quot;10&quot;:2,&quot;12&quot;:0,&quot;15&quot;:&quot;Arial&quot;}\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-4361 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/teresa-300x242.jpg\" alt=\"\" width=\"300\" height=\"242\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/teresa-300x242.jpg 300w, https:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/teresa-495x400.jpg 495w, https:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/teresa.jpg 922w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Teresa Satta va n\u00e9ixer el 1993 a Varese, It\u00e0lia. Ella viu i treballa entre Gr\u00e8cia i It\u00e0lia.<br \/>\nActualment treballa com a passant en l&#8217;estat de concepte, Atenes, comissariada per Iliana Fokianaki (<a href=\"https:\/\/stateofconcept.org\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/stateofconcept.org<\/a>).<\/p>\n<p>Teresa treballa com a artista transversal, involucrant una \u00e0mplia gamma de mitjans en la seva pr\u00e0ctica art\u00edstica. El seu treball se centra en les relacions entre el cos i el medi ambient, de manera subtil, pol\u00edtica, per\u00f2 tendra.<\/p>\n<p>A partir dels estudis cl\u00e0ssics a It\u00e0lia, es va moure cap a l&#8217;art visual, treballant de forma paral\u00b7lela per pagar els seus propis estudis i investigacions. Va obtenir una llicenciatura en Belles Arts a l&#8217;Acad\u00e8mia de Belles Arts de Brera a Mil\u00e0, IT i un m\u00e0ster en Arts Visuals a la Universitat IUAV a Ven\u00e8cia, IT. Va estudiar a l&#8217;estranger a trav\u00e9s d&#8217;intercanvis a <em>Dresden<\/em>, DE i a <em>Bogot\u00e0<\/em>, CO.\u00a0La Teresa tenia una educaci\u00f3 multidisciplin\u00e0ria i una \u00e0mplia experi\u00e8ncia, des de ser cambrera, caminant, viatgera, sala d&#8217;exposicions d&#8217;alta costura, assistent de galeria d&#8217;art, fot\u00f2grafa, cineasta, escriptora, mainadera, amfitriona de cinema i, no obstant aix\u00f2, artista.<\/p>\n<p>Actualment participa per segon any en el jove festival d&#8217;art contemporani TRAFFIC, Festival Delle animi Gentili, al centre d&#8217;It\u00e0lia\u00a0(<a href=\"http:\/\/www.trafficfestival.it\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.trafficfestival.it\/<\/a>).<\/p>\n<p>Ser\u00e0 artista en resid\u00e8ncia a BRACT, a Arona (NO) l&#8217;octubre de 2019 &#8211; (<a href=\"https:\/\/www.bract.it\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.bract.it\/<\/a>), hi ha La Wayaka Current &#8211; Desert 23 \u00b0 S i Tropic 08 \u00b0 N al Mar\u00e7 i Abril de 2020 (<a href=\"https:\/\/www.lawayakacurrent.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.lawayakacurrent.com\/<\/a>).<\/p>\n<p><span style=\"color: #0000ff;\"><strong>\/\/<\/strong><\/span> <a href=\"https:\/\/teresasatta.com\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/teresasatta.com<\/a><strong><span style=\"color: #0000ff;\"> \/\/<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>La Teresa ha fet la seva resid\u00e8ncia a Can Serrat durant el mes de Gener de 2020.<\/p>\n<p>&nbsp;<\/p>\n<h4><span style=\"color: #33cccc;\">Sobre el seu proc\u00e9s de treball a la resid\u00e8ncia &gt;&gt;<\/span><\/h4>\n<iframe src=\"\/\/docs.google.com\/viewer?url=http%3A%2F%2Fcanserrat.org%2Fwp-content%2Fuploads%2F2019%2F11%2Fcheck-point-Teresa-Satta-2020-3-pages-Tere-Satta.pdf&hl=es&embedded=true\" class=\"gde-frame\" style=\"width:100%; height:500px; border: none;\" scrolling=\"no\"><\/iframe>\n<p class=\"gde-text\"><a href=\"http:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/check-point-Teresa-Satta-2020-3-pages-Tere-Satta.pdf\" class=\"gde-link\">Descargar (PDF, 458KB)<\/a><\/p>\n<p>&nbsp;","protected":false},"excerpt":{"rendered":"<p>&nbsp; Teresa Satta va n\u00e9ixer el 1993 a Varese, It\u00e0lia. Ella viu i treballa entre Gr\u00e8cia i It\u00e0lia. Actualment treballa com a passant en l&#8217;estat de concepte, Atenes, comissariada per Iliana Fokianaki (https:\/\/stateofconcept.org). Teresa treballa com a artista transversal, involucrant &hellip; <a href=\"https:\/\/canserrat.org\/ca\/teresa-satta\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":4361,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/4360"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=4360"}],"version-history":[{"count":3,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/4360\/revisions"}],"predecessor-version":[{"id":4851,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/4360\/revisions\/4851"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/4361"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=4360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=4360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=4360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}