{"id":4356,"date":"2019-11-15T12:47:29","date_gmt":"2019-11-15T12:47:29","guid":{"rendered":"http:\/\/canserrat.org\/?p=4356"},"modified":"2020-02-03T16:11:44","modified_gmt":"2020-02-03T16:11:44","slug":"kiah-endelman-music","status":"publish","type":"post","link":"https:\/\/canserrat.org\/ca\/kiah-endelman-music","title":{"rendered":"Kiah Endelman Music"},"content":{"rendered":"<span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Kiah Endelman Music is an Artist\/ Writer based in Glasgow, who works within a performative practice of writing which attempts to find an elusive history of sensation in the spaces between; between art and writing, matter and thought, between bodies and the spaces they inhabit. It is a practice in seeing what might appear (possible) if this thing and that are brought beside into closer proximity, in (to) relation. It is a practice in querying how bodies are shaped, marked, touched, by gesture, action, and desire, where motifs of colour and fragrance, gesture and desire are recurrent, mimetic and essential and texts and works are understood as constant sites of rehearsal. She is currently completing a Master of Letters in Art Writing at the Glasgow School of Art, and is a graduate of Goldsmiths, University of London. She has undertaken a residency at the Artists Research Lab, Fondazione Antonio Ratti, and her writing has been featured in MARTHA journal and The Yellow Paper, exhibited at Rye Wax, CCA Glasgow and performed at The Poetry Club, The Glasgow Women\u2019s Library and The Deptford Project.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:4225,&quot;3&quot;:{&quot;1&quot;:0},&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;}\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-4357 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/Kiah-224x300.jpg\" alt=\"\" width=\"224\" height=\"300\" srcset=\"https:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/Kiah-224x300.jpg 224w, https:\/\/canserrat.org\/wp-content\/uploads\/2019\/11\/Kiah.jpg 553w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Kiah Endelman Music \u00e9s una artista\/escriptora amb seu a <em>Glasgow<\/em>, que treballa dins d&#8217;una pr\u00e0ctica performativa d&#8217;escriptura que intenta trobar una hist\u00f2ria evasiva de sensacions en els espais intermedis; entre art i escriptura, mat\u00e8ria i pensament, entre cossos i els espais que habiten. \u00c9s interessant veure el que podria apar\u00e8ixer (possiblement) si aix\u00f2 i all\u00f2 s&#8217;acosten a una proximitat m\u00e9s propera, en relaci\u00f3 (a). \u00c9s interessant indagar com els cossos s\u00f3n formats, marcats, tocats, per gestos, accions i desitjos, on els motius de color i frag\u00e0ncia, gest i desig s\u00f3n recurrents, mim\u00e8tics i essencials, i els textos i obres s&#8217;entenen com llocs constants d&#8217;assaig.<\/p>\n<p>Actualment est\u00e0 completant un <em>Master of Letters in Art Writing<\/em> a la <em>Glasgow School of Art<\/em>, i es va graduar de<em> Goldsmiths, University of London<\/em>. Ha realitzat una resid\u00e8ncia al Laboratori d&#8217;Investigaci\u00f3 d&#8217;Artistes, <em>Fondazione Antonio Ratti<\/em>, i els seus escrits han estat presentats al diari <em>MARTHA<\/em> i <em>The Yellow Paper<\/em>, a exposat a <em>Rye Wax<\/em>, <em>CCA Glasgow<\/em> i presentat a <em>The Poetry Club<\/em>, <em>The Glasgow Women &#8216;s Library<\/em> i <em>The Deptford Projecte<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p>Kiah ha fet la seva resid\u00e8ncia a Can Serrat durant el mes de Gener de 2020.","protected":false},"excerpt":{"rendered":"<p>&nbsp; Kiah Endelman Music \u00e9s una artista\/escriptora amb seu a Glasgow, que treballa dins d&#8217;una pr\u00e0ctica performativa d&#8217;escriptura que intenta trobar una hist\u00f2ria evasiva de sensacions en els espais intermedis; entre art i escriptura, mat\u00e8ria i pensament, entre cossos i &hellip; <a href=\"https:\/\/canserrat.org\/ca\/kiah-endelman-music\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":4357,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,10,11],"tags":[],"_links":{"self":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/4356"}],"collection":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=4356"}],"version-history":[{"count":1,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/4356\/revisions"}],"predecessor-version":[{"id":4358,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/4356\/revisions\/4358"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/4357"}],"wp:attachment":[{"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=4356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=4356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=4356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}