{"id":9502,"date":"2026-04-22T09:09:10","date_gmt":"2026-04-22T09:09:10","guid":{"rendered":"http:\/\/canserrat.org\/?p=9502"},"modified":"2026-04-22T09:40:51","modified_gmt":"2026-04-22T09:40:51","slug":"mariana-malheiro","status":"publish","type":"post","link":"http:\/\/canserrat.org\/es\/mariana-malheiro","title":{"rendered":"(English) Mariana Malheiro"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-es\">Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en  <a href=\"http:\/\/canserrat.org\/en\/wp-json\/wp\/v2\/posts\/9502\" class=\"qtranxs-available-language-link qtranxs-available-language-link-en\" title=\"English\">Ingl\u00e9s Estadounidense<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-9503 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2026\/04\/Mariana-Malheiro-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"http:\/\/canserrat.org\/wp-content\/uploads\/2026\/04\/Mariana-Malheiro-300x300.jpg 300w, http:\/\/canserrat.org\/wp-content\/uploads\/2026\/04\/Mariana-Malheiro-1024x1024.jpg 1024w, http:\/\/canserrat.org\/wp-content\/uploads\/2026\/04\/Mariana-Malheiro-150x150.jpg 150w, http:\/\/canserrat.org\/wp-content\/uploads\/2026\/04\/Mariana-Malheiro-730x730.jpg 730w, http:\/\/canserrat.org\/wp-content\/uploads\/2026\/04\/Mariana-Malheiro-365x365.jpg 365w, http:\/\/canserrat.org\/wp-content\/uploads\/2026\/04\/Mariana-Malheiro.jpg 1417w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Mariana is a visual artist based in Lisbon. Working mainly with drawing and oil painting, her work develops narratives about human relationships and social conventions, often depicting moments of communion and leisure.<\/p>\n<p>In 2024, she participated in the Kunstraum LLC artist residency in New York, with the support of FLAD- Luso-American Development Foundation, and exhibited in the collective show \u201cUnfolding Roots\u201d in \u201cL\u2019appartement 49c\u201d in New York. In 2022, she participated in the art residency organized FLAD at Arquip\u00e9lago &#8211; Centro de Artes Contempor\u00e2neas, in S\u00e3o Miguel &#8211; Azores. She has been exhibiting in Portugal since 2017, having participated in solo exhibitions at Galeria Belard (2024), Espa\u00e7o Cultural Merc\u00eas and Casa do Comum (2024), Rua das Gaivotas 6 (2022). She has taken part in group exhibitions at Galeria do Sol, Porto (2025), Zaratan Contemporary Art (2025), OSTRA \/ Tiny art Gallery of Hague (2025) Monitor Gallery (2024) Brot\u00e9ria (2022), Arquip\u00e9lago &#8211; Centro de Artes Contempor\u00e2neas (2021), Alga Gallery (2019) Pavilh\u00e3o 31 at C.H.P. J\u00falio de Matos (2017), among others.<\/p>\n<p>Her work has been featured in publications such as Umbigo Magazine 88, DOSE 11, and Portuguese Emerging Artists 2023, and her paintings are represented in the FLAD Collection and private collections in Portugal, the United States, and Brazil. Alongside her artistic work, she has been working in art and culture mediation activities in museums, film productions, and NGOs. In 2019, she began collaborating with the Quinta das Relvas Association, where she co-organizes art residencies for emerging artists. In 2024, she took a specialized course in Set Design and is currently working as prop maker for cinema.<\/p>\n<p>&nbsp;<\/p>\n<p>Mariana will be in residence in May 2026.","protected":false},"excerpt":{"rendered":"<p>Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en Ingl\u00e9s Estadounidense. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. &nbsp; Mariana is a visual &hellip; <a href=\"http:\/\/canserrat.org\/es\/mariana-malheiro\">Continuar<\/a><\/p>\n","protected":false},"author":8,"featured_media":9503,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,74],"tags":[],"_links":{"self":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/9502"}],"collection":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/comments?post=9502"}],"version-history":[{"count":1,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/9502\/revisions"}],"predecessor-version":[{"id":9504,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/9502\/revisions\/9504"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media\/9503"}],"wp:attachment":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media?parent=9502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/categories?post=9502"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/tags?post=9502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}