{"id":920,"date":"2016-11-02T10:13:12","date_gmt":"2016-11-02T10:13:12","guid":{"rendered":"http:\/\/canserrat.org\/?p=920"},"modified":"2019-10-23T08:25:12","modified_gmt":"2019-10-23T08:25:12","slug":"belinda-hanson","status":"publish","type":"post","link":"http:\/\/canserrat.org\/es\/belinda-hanson","title":{"rendered":"Belinda Hanson"},"content":{"rendered":"<img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-921 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2016\/11\/12_belindahanson_longing_verysmall-copy-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"http:\/\/canserrat.org\/wp-content\/uploads\/2016\/11\/12_belindahanson_longing_verysmall-copy-300x300.jpg 300w, http:\/\/canserrat.org\/wp-content\/uploads\/2016\/11\/12_belindahanson_longing_verysmall-copy-150x150.jpg 150w, http:\/\/canserrat.org\/wp-content\/uploads\/2016\/11\/12_belindahanson_longing_verysmall-copy-365x365.jpg 365w, http:\/\/canserrat.org\/wp-content\/uploads\/2016\/11\/12_belindahanson_longing_verysmall-copy-400x400.jpg 400w, http:\/\/canserrat.org\/wp-content\/uploads\/2016\/11\/12_belindahanson_longing_verysmall-copy.jpg 576w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>La inspiraci\u00f3n de su trabajo viene en parte de la larga historia de escultura modernista que incluye ensamblajes de objetos encontrados (por ejemplo Duchamp, Schwitters y los Surrealistas) y en parte la creciente trayectoria de intervenciones contempor\u00e1neas utilizando formas minimalistas&#8230; &#8220;El trabajo de Hanson nos pide contemplar los limites entre lo humano e inhumano, lo natural y lo artificial, similtud y diferencia&#8230;&#8221;<\/p>\n<p><a href=\"http:\/\/www.belindahanson.net\">www.belindahanson.net<\/a>","protected":false},"excerpt":{"rendered":"<p>&nbsp; La inspiraci\u00f3n de su trabajo viene en parte de la larga historia de escultura modernista que incluye ensamblajes de objetos encontrados (por ejemplo Duchamp, Schwitters y los Surrealistas) y en parte la creciente trayectoria de intervenciones contempor\u00e1neas utilizando formas &hellip; <a href=\"http:\/\/canserrat.org\/es\/belinda-hanson\">Continuar<\/a><\/p>\n","protected":false},"author":3,"featured_media":921,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,11],"tags":[],"_links":{"self":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/920"}],"collection":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/comments?post=920"}],"version-history":[{"count":2,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/920\/revisions"}],"predecessor-version":[{"id":4123,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/920\/revisions\/4123"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media\/921"}],"wp:attachment":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media?parent=920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/categories?post=920"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/tags?post=920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}