{"id":8983,"date":"2025-07-10T10:37:24","date_gmt":"2025-07-10T10:37:24","guid":{"rendered":"https:\/\/canserrat.org\/?p=8983"},"modified":"2025-10-07T12:58:16","modified_gmt":"2025-10-07T12:58:16","slug":"raquel-pons-garcia","status":"publish","type":"post","link":"http:\/\/canserrat.org\/es\/raquel-pons-garcia","title":{"rendered":"Raquel Pons Garc\u00eda"},"content":{"rendered":"<img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-8984 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2025\/07\/RaquelPons_Vertical-Raquel-Pons-Garcia-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"http:\/\/canserrat.org\/wp-content\/uploads\/2025\/07\/RaquelPons_Vertical-Raquel-Pons-Garcia-200x300.jpg 200w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/07\/RaquelPons_Vertical-Raquel-Pons-Garcia-683x1024.jpg 683w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/07\/RaquelPons_Vertical-Raquel-Pons-Garcia-1024x1536.jpg 1024w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/07\/RaquelPons_Vertical-Raquel-Pons-Garcia-1365x2048.jpg 1365w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/07\/RaquelPons_Vertical-Raquel-Pons-Garcia-scaled-534x800.jpg 534w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/07\/RaquelPons_Vertical-Raquel-Pons-Garcia-scaled-267x400.jpg 267w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/07\/RaquelPons_Vertical-Raquel-Pons-Garcia-scaled.jpg 1707w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p data-start=\"105\" data-end=\"376\">Raquel Pons (1993, Madrid) va estudiar periodisme, comunicaci\u00f3 audiovisual i m\u00e0rqueting. \u00c9s M\u00e0ster en Narrativa per l&#8217;Escola d\u2019Escriptors, i la seva obra narrativa explora el llenguatge del trauma, la crueltat, la fam\u00edlia, les relacions de poder, la viol\u00e8ncia i el desig.<\/p>\n<p data-start=\"378\" data-end=\"630\">Forma part de les antologies <em data-start=\"407\" data-end=\"427\">Relatos Nada Sexis<\/em> (2020) i <em data-start=\"437\" data-end=\"460\">Relatos Nada Cl\u00e1sicos<\/em> (2021), de l\u2019editorial feminista M\u00e9nades. Ha publicat relats i assajos en revistes com <em data-start=\"548\" data-end=\"561\">Invernadero<\/em>, <em data-start=\"563\" data-end=\"582\">Rio Grande Review<\/em>, <em data-start=\"584\" data-end=\"592\">F\u00e1bula<\/em>, <em data-start=\"594\" data-end=\"612\">Altavoz Cultural<\/em> i <em data-start=\"615\" data-end=\"629\">Literariedad<\/em>.<\/p>\n<p data-start=\"632\" data-end=\"1125\">L\u2019any 2022 va ser convidada pel col\u00b7lectiu M\u00e1squepalabras a <em data-start=\"692\" data-end=\"712\">Caravana de poetas<\/em>, un pont entre la tradici\u00f3 oral del m\u00f3n rural i la literatura contempor\u00e0nia, i va ser seleccionada per participar en la I resid\u00e8ncia liter\u00e0ria de la plataforma cultural <em data-start=\"882\" data-end=\"893\">Bajo Teja<\/em> (\u00c0vila), on va explorar la narraci\u00f3 de l\u2019inh\u00f2spit i la seva relaci\u00f3 amb el territori. El 2023 hi va tornar com a tallerista per impartir un taller sobre terror rural i ecoterror, que avui \u00e9s un curs estable a l&#8217;Escola d\u2019Escriptors.<\/p>\n<p data-start=\"1127\" data-end=\"1285\">Actualment investiga l\u2019oralitat i la incapacitat de comunicaci\u00f3, treballant amb el subtext i l\u2019asimetria a trav\u00e9s de la hibridaci\u00f3 i la innovaci\u00f3 ling\u00fc\u00edstica.<\/p>\n<p data-start=\"1287\" data-end=\"1349\">Raquel far\u00e0 la seva resid\u00e8ncia durant el mes de Septiembre de 2025.<\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Raquel Pons (1993, Madrid) va estudiar periodisme, comunicaci\u00f3 audiovisual i m\u00e0rqueting. \u00c9s M\u00e0ster en Narrativa per l&#8217;Escola d\u2019Escriptors, i la seva obra narrativa explora el llenguatge del trauma, la crueltat, la fam\u00edlia, les relacions de poder, la viol\u00e8ncia i &hellip; <a href=\"http:\/\/canserrat.org\/es\/raquel-pons-garcia\">Continuar<\/a><\/p>\n","protected":false},"author":4,"featured_media":8984,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,11],"tags":[],"_links":{"self":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/8983"}],"collection":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/comments?post=8983"}],"version-history":[{"count":1,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/8983\/revisions"}],"predecessor-version":[{"id":8985,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/8983\/revisions\/8985"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media\/8984"}],"wp:attachment":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media?parent=8983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/categories?post=8983"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/tags?post=8983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}