{"id":7128,"date":"2022-09-05T14:03:02","date_gmt":"2022-09-05T14:03:02","guid":{"rendered":"http:\/\/canserrat.org\/?p=7128"},"modified":"2022-09-28T12:23:08","modified_gmt":"2022-09-28T12:23:08","slug":"ingrid-kristensen","status":"publish","type":"post","link":"http:\/\/canserrat.org\/es\/ingrid-kristensen","title":{"rendered":"Ingrid Kristensen"},"content":{"rendered":"<img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-7129 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2022\/09\/IMG_20210303_122450-Ingrid-Kristensen-Bjornaali-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"http:\/\/canserrat.org\/wp-content\/uploads\/2022\/09\/IMG_20210303_122450-Ingrid-Kristensen-Bjornaali-225x300.jpg 225w, http:\/\/canserrat.org\/wp-content\/uploads\/2022\/09\/IMG_20210303_122450-Ingrid-Kristensen-Bjornaali-768x1024.jpg 768w, http:\/\/canserrat.org\/wp-content\/uploads\/2022\/09\/IMG_20210303_122450-Ingrid-Kristensen-Bjornaali-1152x1536.jpg 1152w, http:\/\/canserrat.org\/wp-content\/uploads\/2022\/09\/IMG_20210303_122450-Ingrid-Kristensen-Bjornaali-1536x2048.jpg 1536w, http:\/\/canserrat.org\/wp-content\/uploads\/2022\/09\/IMG_20210303_122450-Ingrid-Kristensen-Bjornaali-scaled.jpg 1920w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Ingrid Kristensen Bj\u00f8rnaali (b. 1991, Norway). \\nI am a video artist who recently graduated with an MFA from the Oslo National Academy of the Arts, with parts of my studies spent in Helsinki at the Taideyliopiston Kuvataideakatemia\u2019s \u201cTime and Space Arts\u201d. In my practice, I capture specific biotopes via photogrammetry and other camera based technologies, and proceed to work with these bits and pieces of nature based on their virtual outcomes. In the process of recording and editing, I embrace the faulty details of the technology in use, so that I act on the technology\u2019s conditions rather than fixing the appearing glitches. The resulting video works, sculptures, texts or installations therefore bear marks of going through a process oscillating between control and chance, in search of some meeting ground between natures\u2019 and humans technology. My works explores the omnipresence of the digital in our experience of the world as well as the inability of technology to adequately comprehend the natural. Along with recording and editing, important parts of my practice also lies in performative collaborations, research and writing.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:12476,&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;10&quot;:2,&quot;15&quot;:&quot;Times New Roman&quot;,&quot;16&quot;:11}\">Ingrid Kristensen Bj\u00f8rnaali (n. 1991, Noruega).<\/span><\/p>\n<p>Es una videoartista reci\u00e9n graduada en la Academia Nacional de las Artes de Oslo, parte de sus estudios los realiz\u00f3 en Helsinki, en la escuela de &#8220;Time and Space Arts&#8221; de Taideyliopiston Kuvataideakatemia. En su pr\u00e1ctica, capta biotopos espec\u00edficos mediante la fotogrametr\u00eda y otras tecnolog\u00edas basadas en la c\u00e1mara y procede a trabajar con estos trozos de naturaleza bas\u00e1ndose en sus resultados virtuales. En el proceso de grabaci\u00f3n y edici\u00f3n, acepta los detalles defectuosos de la tecnolog\u00eda utilizada, por lo que act\u00faa sobre las condiciones de la tecnolog\u00eda en lugar de arreglar los fallos que aparecen. Por tanto, las obras de v\u00eddeo, esculturas, textos o instalaciones resultantes llevan la marca de haber pasado por un proceso que oscila entre el control y el azar, en busca de alg\u00fan punto de encuentro entre la naturaleza y la tecnolog\u00eda humana. Las obras de Ingrid exploran la omnipresencia de lo digital en nuestra experiencia del mundo, as\u00ed como la incapacidad de la tecnolog\u00eda para comprender adecuadamente lo natural. Adem\u00e1s de la grabaci\u00f3n y la edici\u00f3n, una parte importante de su trabajo consiste en la colaboraci\u00f3n performativa, la investigaci\u00f3n y la escritura.<\/p>\n<p>&nbsp;<\/p>\n<p>Ingrid estar\u00e1 en residencia en Can Serrat durante el mes de septiembre de 2022","protected":false},"excerpt":{"rendered":"<p>&nbsp; Ingrid Kristensen Bj\u00f8rnaali (n. 1991, Noruega). Es una videoartista reci\u00e9n graduada en la Academia Nacional de las Artes de Oslo, parte de sus estudios los realiz\u00f3 en Helsinki, en la escuela de &#8220;Time and Space Arts&#8221; de Taideyliopiston Kuvataideakatemia. &hellip; <a href=\"http:\/\/canserrat.org\/es\/ingrid-kristensen\">Continuar<\/a><\/p>\n","protected":false},"author":4,"featured_media":7129,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[22,10,11],"tags":[],"_links":{"self":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/7128"}],"collection":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/comments?post=7128"}],"version-history":[{"count":1,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/7128\/revisions"}],"predecessor-version":[{"id":7130,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/7128\/revisions\/7130"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media\/7129"}],"wp:attachment":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media?parent=7128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/categories?post=7128"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/tags?post=7128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}