{"id":4813,"date":"2020-02-24T12:14:17","date_gmt":"2020-02-24T12:14:17","guid":{"rendered":"http:\/\/canserrat.org\/?p=4813"},"modified":"2023-08-22T11:03:06","modified_gmt":"2023-08-22T11:03:06","slug":"soohyun","status":"publish","type":"post","link":"http:\/\/canserrat.org\/es\/soohyun","title":{"rendered":"Soohyun Choi"},"content":{"rendered":"<span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Born in 1989 in Seoul (Korea), Soohyun Choi lives and works in London. Her artistic practice is concerned with understanding and decontextualizing individual\u2019s desire or certain phenomena under capitalist consumption. She completed her MFA in 2016 from Goldsmiths., University of London. Past exhibitions include \u201cPush Your Luck\u201d ISLAND, Brussels (2019) ; \u201cMission to Touch the Sun: Sun Burnt\u201d Paradise Works, Manchester (2019) ; \u201cParlour Geometrique\u201dat Chiswisk House, London (2018) ; \u201cHypnogogic Holiday\u201d, Safehouse2, London (2018) ; Solo exhibition \u201cI call you this you call me that\u201d at Glauguair project space, Berlin (2018) ; \u201cSongs, Balloons, and Broken Tablets\u201d Snehta Residency, Athens (2017) ; the 13th Athens Digital Arts Festival, Athens (2017) ; and \u201cCacotopia\u201d, Annka Kultys Gallery, London (2017).&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:4224,&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;}\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-4814 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2020\/02\/sooooooo-226x300.jpg\" alt=\"\" width=\"226\" height=\"300\" srcset=\"http:\/\/canserrat.org\/wp-content\/uploads\/2020\/02\/sooooooo-226x300.jpg 226w, http:\/\/canserrat.org\/wp-content\/uploads\/2020\/02\/sooooooo-302x400.jpg 302w, http:\/\/canserrat.org\/wp-content\/uploads\/2020\/02\/sooooooo.jpg 561w\" sizes=\"(max-width: 226px) 100vw, 226px\" \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Nacida en 1989 en Se\u00fal (Corea), Soohyun Choi vive y trabaja en Londres. Su pr\u00e1ctica art\u00edstica se ocupa de comprender y descontextualizar el deseo de un individuo o ciertos fen\u00f3menos bajo el consumo capitalista. Complet\u00f3 su m\u00e1ster en 2016 de <em>Goldsmiths<\/em>, Universidad de Londres. Algunas de sus exposiciones pasadas incluyen <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Born in 1989 in Seoul (Korea), Soohyun Choi lives and works in London. Her artistic practice is concerned with understanding and decontextualizing individual\u2019s desire or certain phenomena under capitalist consumption. She completed her MFA in 2016 from Goldsmiths., University of London. Past exhibitions include \u201cPush Your Luck\u201d ISLAND, Brussels (2019) ; \u201cMission to Touch the Sun: Sun Burnt\u201d Paradise Works, Manchester (2019) ; \u201cParlour Geometrique\u201dat Chiswisk House, London (2018) ; \u201cHypnogogic Holiday\u201d, Safehouse2, London (2018) ; Solo exhibition \u201cI call you this you call me that\u201d at Glauguair project space, Berlin (2018) ; \u201cSongs, Balloons, and Broken Tablets\u201d Snehta Residency, Athens (2017) ; the 13th Athens Digital Arts Festival, Athens (2017) ; and \u201cCacotopia\u201d, Annka Kultys Gallery, London (2017).&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:4224,&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;}\">\u201c<em>Push Your Luck<\/em>\u201d <em>ISLAND<\/em>, Bruselas (2019); \u201c<em>Mission to Touch the Sun: Sun Burnt<\/em>\u201d<em> Paradise Works<\/em>, Manchester (2019); \u201c<em>Parlour Geometrique<\/em>\u201d at <em>Chiswisk House<\/em>, Londres (2018); \u201c<em>Hypnogogic Holiday<\/em>\u201d, <em>Safehouse2<\/em>, Londres (2018); <em>Solo exhibition<\/em> \u201c<em>I call you this you call me that<\/em>\u201d at <em>Glauguair project space<\/em>, Berl\u00edn (2018); \u201c<em>Songs, Balloons, and Broken Tablets<\/em>\u201d <em>Snehta Residency<\/em>, Athenas (2017); <em>the 13th Athens Digital Arts Festival<\/em>, Athenas (2017); y \u201c<em>Cacotopia<\/em>\u201d, <em>Annka Kultys Gallery<\/em>, Londres (2017).<\/span><\/p>\n<p>Soohyun ha hecho su residencia en Can Serrat durante el mes de mayo de 2020.<\/p>\n<p>&nbsp;<\/p>\n<h4><span style=\"color: #33cccc;\">Sobre su proceso de trabajo en la residencia &gt;&gt;&gt;<\/span><\/h4>\n<iframe src=\"\/\/docs.google.com\/viewer?url=http%3A%2F%2Fcanserrat.org%2Fwp-content%2Fuploads%2F2020%2F02%2FCHOI_SOOHYUN_CHECKPOINT_2022-Soohyun-Choi.pdf&hl=es&embedded=true\" class=\"gde-frame\" style=\"width:100%; height:500px; border: none;\" scrolling=\"no\"><\/iframe>\n<p class=\"gde-text\"><a href=\"http:\/\/canserrat.org\/wp-content\/uploads\/2020\/02\/CHOI_SOOHYUN_CHECKPOINT_2022-Soohyun-Choi.pdf\" class=\"gde-link\">Descargar (PDF, 3.57MB)<\/a><\/p>\n<p>&nbsp;","protected":false},"excerpt":{"rendered":"<p>&nbsp; Nacida en 1989 en Se\u00fal (Corea), Soohyun Choi vive y trabaja en Londres. Su pr\u00e1ctica art\u00edstica se ocupa de comprender y descontextualizar el deseo de un individuo o ciertos fen\u00f3menos bajo el consumo capitalista. Complet\u00f3 su m\u00e1ster en 2016 &hellip; <a href=\"http:\/\/canserrat.org\/es\/soohyun\">Continuar<\/a><\/p>\n","protected":false},"author":4,"featured_media":4814,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,11],"tags":[],"_links":{"self":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/4813"}],"collection":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/comments?post=4813"}],"version-history":[{"count":8,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/4813\/revisions"}],"predecessor-version":[{"id":7238,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/4813\/revisions\/7238"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media\/4814"}],"wp:attachment":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media?parent=4813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/categories?post=4813"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/tags?post=4813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}