{"id":3663,"date":"2019-06-05T12:15:08","date_gmt":"2019-06-05T12:15:08","guid":{"rendered":"http:\/\/canserrat.org\/?p=3663"},"modified":"2019-11-06T13:05:27","modified_gmt":"2019-11-06T13:05:27","slug":"rita-anderson","status":"publish","type":"post","link":"http:\/\/canserrat.org\/es\/rita-anderson","title":{"rendered":"Rita Anderson"},"content":{"rendered":"<img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-3666 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2019\/06\/rita-anderson-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" srcset=\"http:\/\/canserrat.org\/wp-content\/uploads\/2019\/06\/rita-anderson-240x300.jpg 240w, http:\/\/canserrat.org\/wp-content\/uploads\/2019\/06\/rita-anderson.jpg 602w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Rita Anderson tiene un master en poes\u00eda y un master en dramaturgia.<\/p>\n<p>Es una escritora galardonada y publicada que obtuvo una beca The O\u2019Neill. Su obra, <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Rita Anderson has an MFA Poetry and an MA Playwriting. A published and award-winning writer, Rita went on scholarship to The O\u2019Neill. Her play, Frantic is the Carousel, was the National Partners in American Theatre (NAPAT) nominee, and Rita won the Ken Ludwig Playwriting Award, the top national prize from The Kennedy Center for \u201cBest Body of Work.\u201d Rita is a member of Poets &amp; Writers, and the American Academy of Poets. She has had over 100 publications and as many productions, and her poetry books--THE ENTROPY OF ROCKETMAN (Finishing Line Press) and WATCHED POTS (A Lovesong to Motherhood)--have been nominated for the Pushcart Prize. Her plays, Final Conversations and Early Liberty, internationally published at www.offthewallplays.com, are on the \u201cBest Selling Plays\u201d list. Rita is the Dramatists Guild Regional Rep (AUSTIN\/SAN ANTONIO), she\u2019s on the Social Media Team for International Center for Women Playwrights (ICWP), and she is a member of the B. Iden Payne Arts Council (BIPAC). Rita is faculty at Interlochen (Co-Director Intermediate Theatre Ensemble &amp; Acting Intensive), but the highlight of her emerging career was sitting on a panel with Christopher Durang. Recent publications include Best Women\u2019s Monologues of 2019 (Smith &amp; Kraus), and \u201cAVALANCHE\u201d in 30 New 10 Minute Plays 2019 (APPLAUSE Theatre &amp; Cinema Books!). Rita is Producing Artistic Director of M\u00e9lange Theatre Company. Contact Rita via her website: www.rita-anderson.com&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\"><em>Frantic is the Carousel<\/em> <\/span>, fue nominada por la National Partners en American Theatre (NAPAT). Rita, gan\u00f3 el Ken Ludwig Playwriting Award, el principal premio nacional del Centro Kennedy por <em>&#8220;Best Body of Work&#8221;<\/em>. Ella es miembro de &#8220;Poetas y Escritores&#8221; y de la Academia Americana de Poetas. Ha echo m\u00e1s de 100 publicaciones y unas cuantas producciones, y sus libros de poes\u00eda, <em>THE ENTROPY OF ROCKETMAN<\/em> (Finishing Line Press) y <em>WATCHED POTS<\/em> (A Lovesong to Motherhood), han sido nominados para el Premio Pushcart.<\/p>\n<p>Sus juegos, <em>Final Conversations<\/em> y <em>Early Liberty<\/em>, publicados internacionalmente en <a href=\"http:\/\/www.offthewallplays.com\" target=\"_blank\" rel=\"noopener noreferrer\"><em>www.offthewallplays.com<\/em>,<\/a> est\u00e1n en la lista de &#8220;Mejores juegos vendidos&#8221;.<\/p>\n<p>Rita es la representante regional del Dramatists Guild (AUSTIN \/ SAN ANTONIO), est\u00e1 en el Equipo de Medios Sociales para el Centro Internacional de Mujeres Dramaturgas (ICWP) y forma parte del Consejo de las Artes de B. Iden Payne (BIPAC). Rita es docente en Interlochen (co-directora Intermedio de teatro y teatro intensivo), pero lo m\u00e1s destacado de su carrera emergente fue sentarse en un panel con Christopher Durang. Entre sus publicaciones recientes se incluyen los Mon\u00f3logos de las Mejores Mujeres de 2019 (Smith &amp; Kraus) y &#8220;<em>AVALANCHE<\/em>&#8221; en 30 New 10 Minute Plays 2019 (\u00a1APLAUSOS de Libros de Teatro y Cine!). Rita es directora art\u00edstica y productora de la compa\u00f1\u00eda de teatro M\u00e9lange.<\/p>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Rita Anderson has an MFA Poetry and an MA Playwriting. A published and award-winning writer, Rita went on scholarship to The O\u2019Neill. Her play, Frantic is the Carousel, was the National Partners in American Theatre (NAPAT) nominee, and Rita won the Ken Ludwig Playwriting Award, the top national prize from The Kennedy Center for \u201cBest Body of Work.\u201d Rita is a member of Poets &amp; Writers, and the American Academy of Poets. She has had over 100 publications and as many productions, and her poetry books--THE ENTROPY OF ROCKETMAN (Finishing Line Press) and WATCHED POTS (A Lovesong to Motherhood)--have been nominated for the Pushcart Prize. Her plays, Final Conversations and Early Liberty, internationally published at www.offthewallplays.com, are on the \u201cBest Selling Plays\u201d list. Rita is the Dramatists Guild Regional Rep (AUSTIN\/SAN ANTONIO), she\u2019s on the Social Media Team for International Center for Women Playwrights (ICWP), and she is a member of the B. Iden Payne Arts Council (BIPAC). Rita is faculty at Interlochen (Co-Director Intermediate Theatre Ensemble &amp; Acting Intensive), but the highlight of her emerging career was sitting on a panel with Christopher Durang. Recent publications include Best Women\u2019s Monologues of 2019 (Smith &amp; Kraus), and \u201cAVALANCHE\u201d in 30 New 10 Minute Plays 2019 (APPLAUSE Theatre &amp; Cinema Books!). Rita is Producing Artistic Director of M\u00e9lange Theatre Company. Contact Rita via her website: www.rita-anderson.com&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\"><strong><span style=\"color: #0000ff;\">\/\/\/\/\u00a0<\/span><\/strong> <span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"http:\/\/www.rita-anderson.com\" target=\"_blank\" rel=\"noopener noreferrer\">www.rita-anderson.com<\/a><\/span>\u00a0<strong><span style=\"color: #0000ff;\"> &#8211; \u00a0<\/span><\/strong><span style=\"color: #0000ff;\"><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/finishinglinepress.com\/index.php?cPath=2&amp;sort=2a&amp;filter_id=2062&amp;osCsid=jj99bc6cnqttbjk5rvlmed7aa5\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/finishinglinepress.com\/index.php?cPath=2&amp;sort=2a&amp;filter_id=2062&amp;osCsid=jj99bc6cnqttbjk5rvlmed7aa5\u00a0 <\/a><\/span><\/span><strong><span style=\"color: #0000ff;\">\/\/\/\/<\/span><\/strong><\/span><\/p>\n<p>Residente en Can Serrat del 1 al 22\/07\/2019<\/p>\n<p>&nbsp;<\/p>\n<h4><span style=\"color: #33cccc;\">Sobre su proceso de trabajo en la residencia &gt;&gt;&gt;<\/span><\/h4>\n<iframe src=\"\/\/docs.google.com\/viewer?url=http%3A%2F%2Fcanserrat.org%2Fwp-content%2Fuploads%2F2019%2F06%2FCHECK-POINT-RITA-ANDERSON-JULY-2019-Rita-Anderson.pdf&hl=es&embedded=true\" class=\"gde-frame\" style=\"width:100%; height:500px; border: none;\" scrolling=\"no\"><\/iframe>\n<p class=\"gde-text\"><a href=\"http:\/\/canserrat.org\/wp-content\/uploads\/2019\/06\/CHECK-POINT-RITA-ANDERSON-JULY-2019-Rita-Anderson.pdf\" class=\"gde-link\">Descargar (PDF, 6KB)<\/a><\/p>\n<p>&nbsp;","protected":false},"excerpt":{"rendered":"<p>&nbsp; Rita Anderson tiene un master en poes\u00eda y un master en dramaturgia. Es una escritora galardonada y publicada que obtuvo una beca The O\u2019Neill. Su obra, Frantic is the Carousel , fue nominada por la National Partners en American &hellip; <a href=\"http:\/\/canserrat.org\/es\/rita-anderson\">Continuar<\/a><\/p>\n","protected":false},"author":4,"featured_media":3666,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,11],"tags":[],"_links":{"self":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/3663"}],"collection":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/comments?post=3663"}],"version-history":[{"count":4,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/3663\/revisions"}],"predecessor-version":[{"id":4294,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/posts\/3663\/revisions\/4294"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media\/3666"}],"wp:attachment":[{"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/media?parent=3663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/categories?post=3663"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/canserrat.org\/es\/wp-json\/wp\/v2\/tags?post=3663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}