{"id":9747,"date":"2026-06-11T13:06:14","date_gmt":"2026-06-11T13:06:14","guid":{"rendered":"http:\/\/canserrat.org\/?p=9747"},"modified":"2026-06-11T13:06:14","modified_gmt":"2026-06-11T13:06:14","slug":"sophia-tharp","status":"publish","type":"post","link":"http:\/\/canserrat.org\/ca\/sophia-tharp","title":{"rendered":"Sophia Tharp"},"content":{"rendered":"

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Contenint preguntes, records i penediments de relacions personals, les obres d’art de Fia Tharp es converteixen en reflexos del passat, el present i el futur. Inspirades pel m\u00e8tode t\u00e8xtil de zurcir, les seves peces de cinta lluiten amb restes de material per intentar reparar, honorar o aprendre de records intangibles. Utilitzant la massa de roques de riu per interrompre el teixit en si, aquests “plans emocionals” ens recorden les maneres en qu\u00e8 som canviats i lligats per les impressions m\u00fatues. Sovint incorporant peces de roba d’amants, llen\u00e7ols o objectes intercanviats, cada pe\u00e7a est\u00e0 impresa amb el toc energ\u00e8tic \u00fanic dels cossos.<\/p>\n

En la mateixa l\u00ednia, les pintures de Tharp actuen com a notes per a l’artista sobre com estimar “millor” en un m\u00f3n on tota intimitat \u00e9s un proc\u00e9s constant d’assaig i error.<\/p>\n

Fia Tharp (n. 1999) es va graduar a la Rhode Island School of Design el 2021 amb una llicenciatura en Belles Arts en Pintura. La seva obra s’ha exposat recentment al Minnesota Street Project, San Francisco, Calif\u00f2rnia; Feia Gallery, Los Angeles, Calif\u00f2rnia; Side Bitch Project Space, San Gabriel, Calif\u00f2rnia; Emeco House, Santa Monica, Calif\u00f2rnia; i Woods-Gerry Gallery, Providence, Rhode Island. Tharp viu i treballa a Los Angeles, Calif\u00f2rnia.","protected":false},"excerpt":{"rendered":"

Contenint preguntes, records i penediments de relacions personals, les obres d’art de Fia Tharp es converteixen en reflexos del passat, el present i el futur. Inspirades pel m\u00e8tode t\u00e8xtil de zurcir, les seves peces de cinta lluiten amb restes de … Continued<\/a><\/p>\n","protected":false},"author":8,"featured_media":9748,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,74],"tags":[],"_links":{"self":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9747"}],"collection":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=9747"}],"version-history":[{"count":1,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9747\/revisions"}],"predecessor-version":[{"id":9749,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9747\/revisions\/9749"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/9748"}],"wp:attachment":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=9747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=9747"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=9747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}