{"id":9139,"date":"2025-10-08T08:49:56","date_gmt":"2025-10-08T08:49:56","guid":{"rendered":"https:\/\/canserrat.org\/?p=9139"},"modified":"2025-11-28T10:04:19","modified_gmt":"2025-11-28T10:04:19","slug":"urszula-justyna-kusiel-moroz-and-beatriz-machado-leandro-dos-santos","status":"publish","type":"post","link":"http:\/\/canserrat.org\/ca\/urszula-justyna-kusiel-moroz-and-beatriz-machado-leandro-dos-santos","title":{"rendered":"Urszula Justyna Kusiel-Moroz i Beatriz Machado Leandro Dos Santos"},"content":{"rendered":"<img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-9140 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/Beatriz-Santos-Ula-Moroz-headshots-Ula-Moroz-300x213.jpeg\" alt=\"\" width=\"300\" height=\"213\" srcset=\"http:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/Beatriz-Santos-Ula-Moroz-headshots-Ula-Moroz-300x213.jpeg 300w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/Beatriz-Santos-Ula-Moroz-headshots-Ula-Moroz-1024x726.jpeg 1024w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/Beatriz-Santos-Ula-Moroz-headshots-Ula-Moroz-1536x1090.jpeg 1536w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/Beatriz-Santos-Ula-Moroz-headshots-Ula-Moroz-1128x800.jpeg 1128w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/Beatriz-Santos-Ula-Moroz-headshots-Ula-Moroz-564x400.jpeg 564w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/10\/Beatriz-Santos-Ula-Moroz-headshots-Ula-Moroz.jpeg 1600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Ula Moroz \u00e9s cineasta i directora de fotografia. La seva obra se centra en el folklore i la seva relaci\u00f3 amb l\u2019entorn natural. Inspirada pel cinema d\u2019Apichatpong Weerasethakul i Ryusuke Hamaguchi, el seu treball sovint juxtaposa la bellesa ef\u00edmera del paisatge amb una sensaci\u00f3 contempor\u00e0nia d\u2019angoixa i desconcert.<\/p>\n<p>El seu film m\u00e9s recent, Murmurare, s\u2019inspira en el paisatge muntany\u00f3s de Seg\u00f2via, el concepte de duende i els vestits tradicionals de carnaval de Castella i Lle\u00f3. En la seva pr\u00e0ctica, la Ula explora la connexi\u00f3 entre el folklore i el progressiu col\u00b7lapse mediambiental.<\/p>\n<p>Beatriz Santos \u00e9s una artista brit\u00e0nico-portuguesa neurodivergent que treballa principalment amb pintura a l\u2019oli, paper maix\u00e9 i assemblatge. La seva obra entrella\u00e7a el lirisme amb representacions del quotidi\u00e0 i all\u00f2 personal, explorant temes com la mem\u00f2ria, la intimitat, l\u2019humor, la tristesa i el desig. Investiga els motius decoratius ib\u00e8rics i les tradicions d\u2019art popular.<\/p>\n<p>La Beatriz treballa sobretot amb materials considerats ordinaris \u2014cartr\u00f3 reciclat, objectes trobats\u2014, ja que la sostenibilitat \u00e9s un valor fonamental en la seva pr\u00e0ctica art\u00edstica. Enmarcant les seves pr\u00f2pies pintures de maneres elaborades i inventives, busca q\u00fcestionar binarismes com fantasia i realitat, interior i exterior, artesania manual i art intel\u00b7lectual.<\/p>\n<p>Beatriz Santos i Ula Moroz estar\u00e0n en resid\u00e8ncia a Can Serrat al octubre &#8211; novembre de 2025.","protected":false},"excerpt":{"rendered":"<p>&nbsp; Ula Moroz \u00e9s cineasta i directora de fotografia. La seva obra se centra en el folklore i la seva relaci\u00f3 amb l\u2019entorn natural. Inspirada pel cinema d\u2019Apichatpong Weerasethakul i Ryusuke Hamaguchi, el seu treball sovint juxtaposa la bellesa ef\u00edmera &hellip; <a href=\"http:\/\/canserrat.org\/ca\/urszula-justyna-kusiel-moroz-and-beatriz-machado-leandro-dos-santos\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":9140,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[22,10,11],"tags":[],"_links":{"self":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9139"}],"collection":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=9139"}],"version-history":[{"count":2,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9139\/revisions"}],"predecessor-version":[{"id":9142,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/9139\/revisions\/9142"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/9140"}],"wp:attachment":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=9139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=9139"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=9139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}