{"id":8724,"date":"2025-05-16T12:25:16","date_gmt":"2025-05-16T12:25:16","guid":{"rendered":"https:\/\/canserrat.org\/?p=8724"},"modified":"2025-06-09T09:40:35","modified_gmt":"2025-06-09T09:40:35","slug":"sarah-noonan-2","status":"publish","type":"post","link":"http:\/\/canserrat.org\/ca\/sarah-noonan-2","title":{"rendered":"Sarah Noonan"},"content":{"rendered":"<img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-8722 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2025\/05\/SarahNoonan-Sarah-Noonan-225x300.jpeg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"http:\/\/canserrat.org\/wp-content\/uploads\/2025\/05\/SarahNoonan-Sarah-Noonan-225x300.jpeg 225w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/05\/SarahNoonan-Sarah-Noonan-769x1024.jpeg 769w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/05\/SarahNoonan-Sarah-Noonan-1154x1536.jpeg 1154w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/05\/SarahNoonan-Sarah-Noonan-1539x2048.jpeg 1539w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/05\/SarahNoonan-Sarah-Noonan-scaled-600x800.jpeg 600w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/05\/SarahNoonan-Sarah-Noonan-scaled-300x400.jpeg 300w, http:\/\/canserrat.org\/wp-content\/uploads\/2025\/05\/SarahNoonan-Sarah-Noonan-scaled.jpeg 1923w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p data-start=\"1409\" data-end=\"2252\">Sarah Noonan (ella\/ell\u00e6, nascuda el 1997) \u00e9s origin\u00e0ria de l\u2019Illa del Pr\u00edncep Eduard, al Canad\u00e0, i \u00e9s una artista multidisciplin\u00e0ria i escriptora establerta a Tallinn, Est\u00f2nia. L\u2019aparen\u00e7a innocent i la costura manual no refinada de la seva pr\u00f2pia roba com a material sovint xoquen amb la seva veu transgressora, que planteja perspectives inquietants sobre all\u00f2 sentimental, inestable i sensible. Mitjan\u00e7ant instal\u00b7lacions escult\u00f2riques amb t\u00e8xtil, pintura, v\u00eddeo, dibuix i gravat, explora estats psicol\u00f2gics i emocionals a trav\u00e9s de la fantasia des d\u2019una posici\u00f3 po\u00e8tica, on\u00edrica i no vinculada al g\u00e8nere. El seu enfocament alternatiu del misticisme, el joc i els entorns foscos est\u00e0 carregat d\u2019una franquesa inquietant i expressiva. Considera el m\u00f3n actual investigant, des d\u2019un punt de vista idiosincr\u00e0tic, qu\u00e8 connecta els mons coexistents.<\/p>\n<p data-start=\"2254\" data-end=\"2575\">Ha escrit dos llibres de poesia, <em data-start=\"2287\" data-end=\"2306\">Ghost Hummingbird<\/em> i <em data-start=\"2309\" data-end=\"2347\">I Against The Flail Of The Flock Run<\/em>, aix\u00ed com altres textos breus en format impr\u00e8s i digital, tant de poesia com de ficci\u00f3. Va obtenir un M\u00e0ster en Art Contemporani a l\u2019Estonian Academy of Arts (2024) i un Grau en Belles Arts a la Mount Allison University (2019).<\/p>\n<p data-start=\"2577\" data-end=\"2651\">La Sarah fa la seva resid\u00e8ncia a Can Serrat durant el mes de maig de 2025.<\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Sarah Noonan (ella\/ell\u00e6, nascuda el 1997) \u00e9s origin\u00e0ria de l\u2019Illa del Pr\u00edncep Eduard, al Canad\u00e0, i \u00e9s una artista multidisciplin\u00e0ria i escriptora establerta a Tallinn, Est\u00f2nia. L\u2019aparen\u00e7a innocent i la costura manual no refinada de la seva pr\u00f2pia roba &hellip; <a href=\"http:\/\/canserrat.org\/ca\/sarah-noonan-2\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":8722,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,11],"tags":[],"_links":{"self":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/8724"}],"collection":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=8724"}],"version-history":[{"count":1,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/8724\/revisions"}],"predecessor-version":[{"id":8725,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/8724\/revisions\/8725"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/8722"}],"wp:attachment":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=8724"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=8724"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=8724"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}