{"id":7399,"date":"2023-01-23T13:51:34","date_gmt":"2023-01-23T13:51:34","guid":{"rendered":"http:\/\/canserrat.org\/?p=7399"},"modified":"2023-05-25T12:59:26","modified_gmt":"2023-05-25T12:59:26","slug":"lydia-samuels","status":"publish","type":"post","link":"http:\/\/canserrat.org\/ca\/lydia-samuels","title":{"rendered":"Lydia Samuels"},"content":{"rendered":"\"\"<\/p>\n

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Com a cantant i compositora, els interessos de Lydia \u00e9s centren en les vastes possibilitats de la veu humana, que utilitza per a explorar les tradicions folkl\u00f2riques en un estil contemporani i experimental. Inspirada per compositors experimentals com Meredith Monk, la majoria de les seves composicions s\u00f3n purament vocals. El seu treball m\u00e9s recent ha estat l’arranjament, adaptaci\u00f3 i transformaci\u00f3 de tres can\u00e7ons populars femenines de les Illes Brit\u00e0niques, interpretades per HOWL, el col\u00b7lectiu vocal femen\u00ed i no binari que Lydia va fundar a Londres, la seva ciutat natal, en 2021. En les seves adaptacions d’aquestes can\u00e7ons populars tradicionals, Lydia se centra en donar vida a l’alegria, el dolor i la viol\u00e8ncia de l’experi\u00e8ncia femenina. Els treballs actuals en curs inclouen una s\u00e8rie d’ajustos de la poesia de les dones mexicanes (inspirat pel seu temps de resid\u00e8ncia a la Ciutat de M\u00e8xic de 2018 – 2021), i una col\u00b7laboraci\u00f3 amb el guardonat poeta Erin Robinsong per a crear un cicle de can\u00e7ons de la nova poesia que ha escrit entorn del tema de les males herbes.<\/p>\n

Lydia fa la seva resid\u00e8ncia a Can Serrat durant el mes de febrer i maig de 2023.","protected":false},"excerpt":{"rendered":"

  Com a cantant i compositora, els interessos de Lydia \u00e9s centren en les vastes possibilitats de la veu humana, que utilitza per a explorar les tradicions folkl\u00f2riques en un estil contemporani i experimental. Inspirada per compositors experimentals com Meredith … Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":7400,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[22,10,11],"tags":[],"_links":{"self":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/7399"}],"collection":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=7399"}],"version-history":[{"count":1,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/7399\/revisions"}],"predecessor-version":[{"id":7401,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/7399\/revisions\/7401"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/7400"}],"wp:attachment":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=7399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=7399"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=7399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}