{"id":4813,"date":"2020-02-24T12:14:17","date_gmt":"2020-02-24T12:14:17","guid":{"rendered":"http:\/\/canserrat.org\/?p=4813"},"modified":"2023-08-22T11:03:06","modified_gmt":"2023-08-22T11:03:06","slug":"soohyun","status":"publish","type":"post","link":"http:\/\/canserrat.org\/ca\/soohyun","title":{"rendered":"Soohyun Choi"},"content":{"rendered":"<span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Born in 1989 in Seoul (Korea), Soohyun Choi lives and works in London. Her artistic practice is concerned with understanding and decontextualizing individual\u2019s desire or certain phenomena under capitalist consumption. She completed her MFA in 2016 from Goldsmiths., University of London. Past exhibitions include \u201cPush Your Luck\u201d ISLAND, Brussels (2019) ; \u201cMission to Touch the Sun: Sun Burnt\u201d Paradise Works, Manchester (2019) ; \u201cParlour Geometrique\u201dat Chiswisk House, London (2018) ; \u201cHypnogogic Holiday\u201d, Safehouse2, London (2018) ; Solo exhibition \u201cI call you this you call me that\u201d at Glauguair project space, Berlin (2018) ; \u201cSongs, Balloons, and Broken Tablets\u201d Snehta Residency, Athens (2017) ; the 13th Athens Digital Arts Festival, Athens (2017) ; and \u201cCacotopia\u201d, Annka Kultys Gallery, London (2017).&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:4224,&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;}\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-4814 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2020\/02\/sooooooo-226x300.jpg\" alt=\"\" width=\"226\" height=\"300\" srcset=\"http:\/\/canserrat.org\/wp-content\/uploads\/2020\/02\/sooooooo-226x300.jpg 226w, http:\/\/canserrat.org\/wp-content\/uploads\/2020\/02\/sooooooo-302x400.jpg 302w, http:\/\/canserrat.org\/wp-content\/uploads\/2020\/02\/sooooooo.jpg 561w\" sizes=\"(max-width: 226px) 100vw, 226px\" \/><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Nascuda el 1989 a Se\u00fcl (Corea), Soohyun Choi viu i treballa a Londres. La seva pr\u00e0ctica art\u00edstica s&#8217;ocupa de comprendre i descontextualitzar el desig d&#8217;un individu o certs fen\u00f2mens sota el consum capitalista. Va completar el seu m\u00e0ster en 2016 de Goldsmiths, Universitat de Londres. Algunes de les seves exposicions passades inclouen <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Born in 1989 in Seoul (Korea), Soohyun Choi lives and works in London. Her artistic practice is concerned with understanding and decontextualizing individual\u2019s desire or certain phenomena under capitalist consumption. She completed her MFA in 2016 from Goldsmiths., University of London. Past exhibitions include \u201cPush Your Luck\u201d ISLAND, Brussels (2019) ; \u201cMission to Touch the Sun: Sun Burnt\u201d Paradise Works, Manchester (2019) ; \u201cParlour Geometrique\u201dat Chiswisk House, London (2018) ; \u201cHypnogogic Holiday\u201d, Safehouse2, London (2018) ; Solo exhibition \u201cI call you this you call me that\u201d at Glauguair project space, Berlin (2018) ; \u201cSongs, Balloons, and Broken Tablets\u201d Snehta Residency, Athens (2017) ; the 13th Athens Digital Arts Festival, Athens (2017) ; and \u201cCacotopia\u201d, Annka Kultys Gallery, London (2017).&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:4224,&quot;10&quot;:2,&quot;15&quot;:&quot;Arial&quot;}\">\u201c<em>Push Your Luck<\/em>\u201d <em>ISLAND<\/em>, Brussel\u00b7les (2019); \u201c<em>Mission to Touch the Sun: Sun Burnt<\/em>\u201d<em> Paradise Works<\/em>, Manchester (2019); \u201c<em>Parlour Geometrique<\/em>\u201d at <em>Chiswisk House<\/em>, Londres (2018); \u201c<em>Hypnogogic Holiday<\/em>\u201d, <em>Safehouse2<\/em>, Londres (2018); <em>Solo exhibition<\/em> \u201c<em>I call you this you call me that<\/em>\u201d at <em>Glauguair project space<\/em>, Berl\u00edn (2018); \u201c<em>Songs, Balloons, and Broken Tablets<\/em>\u201d <em>Snehta Residency<\/em>, Athenas (2017); <em>the 13th Athens Digital Arts Festival<\/em>, Athenas (2017); i \u201c<em>Cacotopia<\/em>\u201d, <em>Annka Kultys Gallery<\/em>, Londres (2017).<\/span><\/p>\n<p>Soohyun ha fet la seva resid\u00e8ncia a Can Serrat durant el mes de Maig de 2020.<\/p>\n<p>&nbsp;<\/p>\n<h4><span style=\"color: #33cccc;\">Sobre el seu proc\u00e9s de treball a la resid\u00e8ncia &gt;&gt;&gt;<\/span><\/h4>\n<iframe src=\"\/\/docs.google.com\/viewer?url=http%3A%2F%2Fcanserrat.org%2Fwp-content%2Fuploads%2F2020%2F02%2FCHOI_SOOHYUN_CHECKPOINT_2022-Soohyun-Choi.pdf&hl=es&embedded=true\" class=\"gde-frame\" style=\"width:100%; height:500px; border: none;\" scrolling=\"no\"><\/iframe>\n<p class=\"gde-text\"><a href=\"http:\/\/canserrat.org\/wp-content\/uploads\/2020\/02\/CHOI_SOOHYUN_CHECKPOINT_2022-Soohyun-Choi.pdf\" class=\"gde-link\">Descargar (PDF, 3.57MB)<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; Nascuda el 1989 a Se\u00fcl (Corea), Soohyun Choi viu i treballa a Londres. La seva pr\u00e0ctica art\u00edstica s&#8217;ocupa de comprendre i descontextualitzar el desig d&#8217;un individu o certs fen\u00f2mens sota el consum capitalista. Va completar el seu m\u00e0ster en &hellip; <a href=\"http:\/\/canserrat.org\/ca\/soohyun\">Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":4814,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,11],"tags":[],"_links":{"self":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/4813"}],"collection":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=4813"}],"version-history":[{"count":8,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/4813\/revisions"}],"predecessor-version":[{"id":7238,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/4813\/revisions\/7238"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/4814"}],"wp:attachment":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=4813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=4813"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=4813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}