{"id":3255,"date":"2019-03-22T10:24:42","date_gmt":"2019-03-22T10:24:42","guid":{"rendered":"http:\/\/canserrat.org\/?p=3255"},"modified":"2019-06-04T12:23:49","modified_gmt":"2019-06-04T12:23:49","slug":"tegan-l-smith","status":"publish","type":"post","link":"http:\/\/canserrat.org\/ca\/tegan-l-smith","title":{"rendered":"Floy Krouchi"},"content":{"rendered":"\"\"<\/p>\n

Floy Krouchi \u00e9s una artista de so i compositor de m\u00fasica electroac\u00fastica de Par\u00eds. Treballa amb el so com un fenomen en les seves m\u00faltiples dimensions: f\u00edsic, pl\u00e0stic, instrumental, abstracte i radiof\u00f2nic. Utilitza les qualitats vibrat\u00f2ries i invisibles d’aquest mitj\u00e0 com una met\u00e0fora d’aspectes no revelats de la realitat, q\u00fcestionant les percepcions i creant interrupcions en l’espai i el temps.<\/span><\/p>\n

En les seves peces, el so i el silenci sovint formen un dispositiu antropol\u00f2gic per recopilar, investigar i reorganitzar fragments de realitat i identitats a trav\u00e9s de l’oralitat. L’escolta es considera una pr\u00e0ctica de resist\u00e8ncia a la productivitat imposada pel temps, la saturaci\u00f3 visual i el curt per\u00edode d’atenci\u00f3.<\/span><\/p>\n

\u00daltimament, est\u00e0 investigant la relaci\u00f3 entre la tecnologia, la m\u00e0gia i les t\u00e8cniques d’avantguarda (com les retallades i el surrealisme).<\/span><\/p>\n

\/\/\/ floykrouchi.org <\/a>\/\/\/<\/span><\/p>\n

Resident amb beca completa a Can Serrat del 1 al 24\/05\/2019","protected":false},"excerpt":{"rendered":"

Floy Krouchi \u00e9s una artista de so i compositor de m\u00fasica electroac\u00fastica de Par\u00eds. Treballa amb el so com un fenomen en les seves m\u00faltiples dimensions: f\u00edsic, pl\u00e0stic, instrumental, abstracte i radiof\u00f2nic. Utilitza les qualitats vibrat\u00f2ries i invisibles d’aquest mitj\u00e0 … Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":3257,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,10,11],"tags":[],"_links":{"self":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/3255"}],"collection":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=3255"}],"version-history":[{"count":6,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/3255\/revisions"}],"predecessor-version":[{"id":3488,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/3255\/revisions\/3488"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/3257"}],"wp:attachment":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=3255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=3255"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=3255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}