{"id":2516,"date":"2018-07-27T14:45:02","date_gmt":"2018-07-27T14:45:02","guid":{"rendered":"http:\/\/canserrat.org\/?p=2516"},"modified":"2019-08-09T13:02:41","modified_gmt":"2019-08-09T13:02:41","slug":"cultura-plasmic-inc","status":"publish","type":"post","link":"http:\/\/canserrat.org\/ca\/cultura-plasmic-inc","title":{"rendered":"Cultura Plasmic Inc"},"content":{"rendered":"<img decoding=\"async\" loading=\"lazy\" class=\" wp-image-2517 aligncenter\" src=\"http:\/\/canserrat.org\/wp-content\/uploads\/2018\/07\/Cultura-Plasmic-Inc-300x225.jpg\" alt=\"Cultura Plasmic Inc\" width=\"313\" height=\"235\" srcset=\"http:\/\/canserrat.org\/wp-content\/uploads\/2018\/07\/Cultura-Plasmic-Inc-300x225.jpg 300w, http:\/\/canserrat.org\/wp-content\/uploads\/2018\/07\/Cultura-Plasmic-Inc-1024x768.jpg 1024w, http:\/\/canserrat.org\/wp-content\/uploads\/2018\/07\/Cultura-Plasmic-Inc-1066x800.jpg 1066w, http:\/\/canserrat.org\/wp-content\/uploads\/2018\/07\/Cultura-Plasmic-Inc-533x400.jpg 533w, http:\/\/canserrat.org\/wp-content\/uploads\/2018\/07\/Cultura-Plasmic-Inc.jpg 1200w\" sizes=\"(max-width: 313px) 100vw, 313px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>L\u2019artista de Glasgow Cultura Plasmic Inc combina audio, imatge en moviment i estructures f\u00edsiques per a crear instal.lacions que naveguen per les relacions entre cultura digital i cosa, salud mental i f\u00edsica, i com el nostre \u00fas y sovint la depeend\u00e8ncia de la tecnologia digital ens conforma en el que s\u00f3m. Les seves instal.lacions utilitzen sovint sensors de moviment, software digital, relacionant dispositius i drons amb met\u00e0fores i imaginaris de l\u2019entorn natural que s\u00f3n sovint dissenyats per a espais no tradicionals que inclouen botigues en des\u00fas, espais verds, \u00a0ports, platges i edificis abandonats. Ha creat peces site specific per a DNweekeND (Doncaster), Chorlton Arts Festival (Greater Manchester), Sound UK (rural touring in Wiltshire, Devon and Cornwall), Reuse Aloud (New Bridge Project, Newcastle), Wandsworth Arts Festival (London), InTransit festival (Kensington and Chelsea, London), Hackney WickED (London), the Poor Door at A-Side B-Side Gallery (London) and Coastival (Scarborough). El 2016 mostra el seu treball de cartr\u00f3 i electr\u00f2nica \u201cDead Pigeons and Chandeliers\u201d presentat a Nova York a l\u2019exposici\u00f3 \u201cpOlitics and Power\u201d, i al maig de 2017 va rebre la premiere internacional de la seva instal\u00b7laci\u00f3 Waatchtower en el Centre de Convencions europeu de Luxemburg. A la resid\u00e8ncia de Can Serrat ha desenvolupat Living in Inbox, un instal\u00b7laci\u00f3 que combina imatge en moviment, so, projeccions i tecnologia \u201ceye tracking\u201d per a explorar l\u2019adicci\u00f3 digital, la economia de l\u2019atenci\u00f3, comprobaci\u00f3 compulsiva dels missatges i la publicitat.<\/p>\n<p><a href=\"http:\/\/www.cell.less.com\">www.cell.less.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4><strong><span style=\"color: #33cccc;\">Sobre el seu proc\u00e9s de treball a la resid\u00e8ncia &gt;&gt;&gt;<\/span><\/strong><\/h4>\n<iframe src=\"\/\/docs.google.com\/viewer?url=http%3A%2F%2Fcanserrat.org%2Fwp-content%2Fuploads%2F2018%2F07%2Fcheck-point-__CulturaPlasmicInc_15Aug.pdf&hl=es&embedded=true\" class=\"gde-frame\" style=\"width:100%; height:500px; border: none;\" scrolling=\"no\"><\/iframe>\n<p class=\"gde-text\"><a href=\"http:\/\/canserrat.org\/wp-content\/uploads\/2018\/07\/check-point-__CulturaPlasmicInc_15Aug.pdf\" class=\"gde-link\">Descargar (PDF, 332KB)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4><\/h4>","protected":false},"excerpt":{"rendered":"<p>&nbsp; L\u2019artista de Glasgow Cultura Plasmic Inc combina audio, imatge en moviment i estructures f\u00edsiques per a crear instal.lacions que naveguen per les relacions entre cultura digital i cosa, salud mental i f\u00edsica, i com el nostre \u00fas y sovint &hellip; <a href=\"http:\/\/canserrat.org\/ca\/cultura-plasmic-inc\">Continued<\/a><\/p>\n","protected":false},"author":7,"featured_media":2517,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[10,11],"tags":[],"_links":{"self":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/2516"}],"collection":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/comments?post=2516"}],"version-history":[{"count":6,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/2516\/revisions"}],"predecessor-version":[{"id":3903,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/posts\/2516\/revisions\/3903"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media\/2517"}],"wp:attachment":[{"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/media?parent=2516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/categories?post=2516"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/canserrat.org\/ca\/wp-json\/wp\/v2\/tags?post=2516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}